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AN ART AUCTION ROMANCE.** .” 


When, during the second session of the 
combination picture sale in the Plaza Ball- 
room Wednesday evening, May 10, last, Mr. 
Thomas E. Kirby, the auctioneer, announc- 
ed that the picture entitled “Portrait of: 
Two Sisters,” by the old American artist 
G. P. A. Healy, and which was one of the 
most admired of the collection of Ameri- 
can portraits formed by Mrs. Benjamin 
Thaw—had been withdrawn from the sale— 
a murmur of surprise and disappointment 
ran through the large ballroom. 

The charm and beauty of the two young 
girls, the sweetness and softness of color, — 
and above all, the rare refinement of the — 


work, had greatly attracted visitors to the 


exhibition preceding the sale, and the dis- 
position of the canvas had been awaited with | 
unusual anticipation by dealers and col- © 
‘lectors. 
the withdrawal of the picture, curiosity was 
heightened, and it gratifies the Arr News | 
to now tell the story, which may well be © 
called “a romance of the art auction room.” 

The “Two Sisters” is a double portrait of 
the wife and sister-in-law of a well-known 
and prominent New York attorney, mem- 
bers of an old and esteemed Rhode Island | 
and New York family, painted when child- 
ren, and highly prized in the family. Some | 
years ago the picture disappeared, more or 
‘less mysteriously, and could not be traced, 
despite diligent efforts to so trace it, and | 
Ihad been given up as lost. The Sunday pre- 
vious to the sale, May 7, the aged mother of | 
the “Two Sisters’ who was visiting her — 
‘daughter and son-in-law, the attorney above | 
mentioned, in N. Y., noticed a reproduction | 
of the long lost picture in a Sunday page 
story of the coming sale. 

She was naturally agitated and excited 
and her son-in-law at once proceeded to re- 
claim the canvas, if possible. Fearing that 
by some slip in bidding he might lose the 
valued picture at the sale, he called upon 
Mrs. Thaw and explained the curious chance 
that had brought the canvas to the knowl- 
edge of its former owners. Mrs. Thaw was 
‘much interested, and after some consulta- 
tion, on the afternoon preceding the sale of 
fered to withdraw the work, and permit the 
attorney to have it on virtually what he felt 
jits possession was worth to the family, or 
in other words to “set” his own figure on 
the canvas. 

So the matter was arranged, the picture 
was withdrawn, and now hangs on the wall 
of the attorney’s drawing room to the de- 
light especially of the aged mother of ‘the 
two fair young girls, whose grace and 
beauty Healy so well portrayed. 


As Mr. Kirby gave no reasons for p 


mg.C 


Ge 


pee 
% 


Third Session. . ‘ 
The third and concluding session Thurs-_ 
day Baer a brought a total of $9,985, which, 
of the first two sessions or 
$63,200, $357.50, 
deducted for seven pictures sold the first 
two sessions to a 
not claimed, $72,827. : 
The pictures sold were unimportant an 
brought low figures for the most part. 
by an unknown artist, said to be 


it 
wate Abraham Lincoln, brought only 
$55 from Mr. Flattau, the auctioneer. 


The pictures which brought $100, or over, 


were: 
189—Attributed to Rodriguez, D., “Head of a 


eddi 175 
Man,” 14x13, G. Eddinger...+,-s-++9 
—7 cro, F., “Mary, Queen of Scots 
x oe ernest: 19x16%, J. I. McDonald, Agt. 260 
 208-—-Fortuny y Carbo, M. J. M., eka Mo ae 
| el,” 2214x16%, Mc ononay Gal Ens 2 
209— Attributed to te P., ‘Lady Anne (6b 
ley” (Panel), 2244x116, G. Sddinger . ‘ 
210—Mytens, Jes Oe Lady,’’ 22x18, a 
I, McDonnell, Agt. .-++++rseneery 
Gers we phar: Be De ae ‘ 4 
Watercolor), 18x24, no Siaeseers 
ee aly ice Teatiai School, ‘Madonna ue oe 
Child” (Panel), 24x20, G. H, Blakeley. 
- 223—Wilson, R., “The Thames | near Sion ee 
House,” 1834x27%, Edward STORER 
228—Smith, H. P., “Giudecca island near Hie 
Grand Central, Venice,’ 28x20, 1 5 Sees saa 
Vienna E..'“On the Heights,” 25x30, ye 
Coma Ne Brett ics eee Pein eet eS oa 


—Peri Raphael, ‘Madonna and Child” 
230—Period o) ahizxae, A. Rudert, Agt.... 240 
234—Euarly Spanish School, ‘Three Nude Chil- 


150 
n,”? 291%4x24, J. H. Jacobs...+----++ 
‘ Area ae pec School, ‘Portrait of Lady in 
Court Dress” (Panel), 31x24, H. S. Ru- af 
bens oe et Bere ele a. 018 0 (eee) Ou eren ele sneaks is) Aare 
—Rapha shool, ‘Madonna, Child and St. 

AD Re precy F268. McDonnell, Agt. 250 
241—Attributed to ee D., “Prince Bal- ian 
thazar,” 34%x23, H. S$ Rubens. vit eae 

242—Early Flemish School, “Madonna and 
Child with Attendants,” 38x2914, G. Et- x18 
tinger® wsspocevousetecwes emeuunryecee 
243——Early Spanish School, “Madonna and At- 
a fend 36x28, J. H. McDonald, one 150 
244—Titian School, “Madonna, Child and 5t. 5 
John,” teh AF Hu MeDong\e eee 52 
—Attributed to Tiepolo, G. B. ° % 
mh aye the Magi,” 38x31, L. H,. Wallace. . 575 
254—da Visci, L. (attributed), “Roman Ruins, ; 
23x46, A. C, Zabriskie... sees stseeee ats 
256—Early Spanish School, ‘Perils of the 
Deep,” 1x41, Edward Stone......... 420 
-<7—-Early Dute: School, “A Fleet of Ves- 
sels,” 32x41, Seaman, A'gt. ...-+-see- 170 


259—Tiariy English School, “Portrait of two 3 
whildren,” 41x.214, Louise McCarthy. we 
| 269—Aiiributed to Conable, J., “Portrait of 
ihe Artist,’”? 50x40, Seaman, vittans ee 
270—Ear.y Italian School, “Roman Historica! 
Picture,” 52x37%, William Andrews.. 
273—-Eizhteenth Century French School, “Clas- 
Jsic Landscape,’”’ 39x53, G. Ettinger.... 
274—Larly Spanish School, “Portrait of a 
Queen,” 54x42, Rober: Glenderning... 230 
278—Early Italian School, “Altarpiece of Nine 
Panels,” total hegik’. 80x56 in. 


central panel, 58x1¥, J. H. McDonald, 
et “ele <4 


. 


vee) Oe sae Oe 


#0) 016. a) Cr ehavtay-e: Seats 


. f 1 Pa a : . 5 
’ Less We ort Mt turFas, Ce singel sce Nhe. hice 357.5 


-_—————_—______ 


$72,827.50 


ILLUSTRATED CATALOGUE 


OF 


NEARLY THREE HUNDRED 
VALUABLE PAINTINGS 


BY ANCIENT AND MODERN MASTERS 
INCLUDING 


AN EXTRAORDINARY GROUP OF 
EARLY AMERICAN PORTRAITS 


THE PROPERTY OF 


MRS. BENJAMIN THAW 
MR. ALEXANDER MORTEN, MR. P. H. MCMAHON 
MR. CHARLES BEERS, MRS. JOSEPH M. CARLISLE 


mie Po PATE OF THE LATE MRS. GERTRUDE COWDIN 
TO BE SOLD BY ORDER OF MR. JOHN E. COWDIN, EXECUTOR 


AND SEVERAL OTHER OWNERS AS SPECIFICALLY 
SET FORTH IN THIS CATALOGUE 


TO BE SOLD AT UNRESTRICTED PUBLIC SALE 


ON THE EVENINGS HEREIN STATED 


THE SALE WILL BE CONDUCTED BY LR oy \ | 


MR. THOMAS E. KIRBY ee ode Ce) 
AND HIS ASSISTANT, MR. OTTO BERNET, oF 


THE AMERICAN ART ASSOCIATION, MANAGERS 
NEW YORK 
1916 


THE AMERICAN ART ASSOCIATION 
DESIGNS ITS CATALOGUES AND DIRECTS 
ALL DETAILS OF ILLUSTRATION 
TEXT AND TYPOGRAPHY 


CONDITIONS OF SALE 


1. Any bid which is merely a nominal or fractional advance may 
be rejected by the auctioneer, if, in his judgment, such bid would be 
likely to affect the sale injuriously. 

2. The highest bidder shall be the buyer, and if any dispute 
arise between two or more bidders, the auctioneer shall either decide 
the same or put up for re-sale the lot so in dispute. 

3. Payment shall be made of all or such part of the purchase 
money as may be required, and the names and addresses of the pur- 
chasers shall be given immediately on the sale of every lot, in default 
of which the lot so purchased shall be immediately put up again and 
re-sold. 

Payment of that part of the purchase money not made at the 
time of sale shall be made within ten days thereafter, in default of 
which the undersigned may either continue to hold the lots at the 
risk of the purchaser and take such action as may be necessary for 
the enforcement of the sale, or may at public or private sale, and 
without other than this notice, re-sell the lots for the benefit of such 
purchaser, and the deficiency (if any) arising from such re-sale shall 
be a charge against such purchaser. 

4. Delivery of any purchase will be made only upon payment 
of the total amount due for all purchases at the sale. 

Deliveries will be made on sales days between the hours of 9 
A. M. and 1 P. M., and on other days—except holidays—between the 
hours of 9 A. M. and 5 P.M. 

Delivery of any purchase will be made only at the American Art 
Galleries, or other place of sale, as the case may be, and only on pre- 
senting the bill of purchase. 

Delivery may be made, at the discretion of the Association, of 
any purchase during the session of the sale at which it was sold. 

5. Shipping, boxing or wrapping of purchases is a business in 
which the Association is in no wise engaged, and will not be performed 
by the Association for purchasers. ‘The Association will, however, 
afford to purchasers every facility for employing at current and 
reasonable rates carriers and packers; doing so, however, without any 
assumption of responsibility on its part for the acts and charges of 
the parties engaged for such service. 

6. Storage of any purchase shall be at the sole risk of the pur- 
chaser. Title passes upon the fall of the auctioneer’s hammer, and 
thereafter, while the Association will exercise due caution in caring 


for and delivering such purchase, it will not hold itself responsible if 
such purchase be lost, stolen, damaged or destroyed. 

Storage charges will be made upon all purchases not removed 
within ten days from the date of the sale thereof. 

{. Guarantee is not made either by the owner or the Association 
of the correctness of the description, genuineness or authenticity of 
any lot, and no sale will be set aside on account of any incorrectness, 
error of cataloguing, or any imperfection not noted. Every lot is 
on public exhibition one or more days prior to its sale, after which 
it is sold ‘‘as is” and without recourse. 

The Association exercises great care to catalogue every lot cor- 
rectly, and will give consideration to the opinion of any trustworthy 
expert to the effect that any lot has been incorrectly catalogued, and, 
in its judgment, may either sell the lot as catalogued or make mention 
of the opinion of such expert, who thereby would become responsible 
for such damage as might result were his opinion without proper 
foundation. 


AMERICAN ART ASSOCIATION, 
American Art Galleries, 
Madison Square South, 
New York City. 


IMPORTANT NOTICE 


THE FIRST TWO SESSIONS 


OF THIS SALE 


WILL TAKE PLACE 


ON TUESDAY AND WEDNESDAY EVENINGS 
MAY 9th AND 10th, 1916 


BEGINNING PROMPTLY AT 8.15 0’CLOCK 


IN THE GRAND BALLROOM OF THE PLAZA 
AND 
THE CONCLUDING SESSION 
WILL BE HELD 
ON THURSDAY EVENING, MAY 11th 


AT 8.15 o’CLOCK 


AT THE AMERICAN ART GALLERIES 


MADISON SQUARE SOUTH 


FIRST EVENING’S SALE 
TUESDAY, MAY 9, 1916 
IN THE GRAND BALLROOM OF 


THE PLAZA 


Firrn AvenveE, 58TH To 59TH STREET 


BEGINNING PROMPTLY AT 8.15 O'CLOCK 


Robert Henri, N.A. 


AMERICAN: 1865— 


1—COAST OF MONHEGAN, MAINE 
Panel: Height 8 inches; length, 10 inches 


THE waves of the ocean rolling in against a rocky coast, their 
crests breaking into white foam. 


Property of the Estate of the late Mrs. GertrupE Cownin. 


Arthur B. Davies 


AMERICAN: 1862— 
2 PASTORAL 


Canvas: Height, 8 inches; length, 121% wmches 


Two Groups of figures are seen on either side of a stream which 
winds through meadow lands. In the middle distance are 
clumps of trees, their forms rising against the evening sky. 


Signed at the lower right. 


Property of the Estate of the late Mrs. GerrrupE Cowpin. 


James Abbott McNeill Whistler 
AMERICAN: 1834—1903 


3—AN INN IN AN ENGLISH VILLAGE 
Water color: Height, 644 inches; width, 414 inches 


In the foreground is a street, or square, indicated by a few 
shght washes. Beyond appears a little inn with greenish- 
yellow walls and overhanging porch roof. 


Authenticity guaranteed and attested by a letter. 


Property of ALEXANDER Morten, Ese. 


Ralph Albert Blakelock, N.A. 
AMERICAN: 1847— 


4—LANDSCAPE WITH INDIANS 
Canvas: Height, 10 inches; width, 8 inches 


AT the foot of a hill, which rises to the top of the picture, where 
appears a bit of sky, two Indians are seen, in the left fore- 
ground, near a pool, one seated and the other standing. The 
canvas presents an agreeable harmony of quiet tints of color. 


Signed at the lower left. 
Purchased from the artist. 


Property of P. H. McManon, Esa. 


Thomas Wilmer Dewing, N.A. 


AMERICAN: 1851— 


I—A LADY 
Pastel: Height, 1024 inches; width, 8 inches 


A. SEATED figure, in profile view, of a young woman, whose 
head is turned to the left, showing the face in three-quarters, 
and whose hands are folded in her lap. The costume is a low- 
neck dress of pink. 

Signed at the lower left. 
Bought from N. E. Montross. 


Property of ALEXANDER Morven, Esa. 


Arthur B. Davies 
AMERICAN: 1862— 


6—GROUP OF FOUR CHILDREN 
Pastel: Height, 12 inches; width, 9 inches 


Four children in back view, two of whom are nude and two 
with light filmy drapery, their arms gracefully embracing each 
other’s bodies; in a landscape setting of foliage and green 
grass. 


Property of the Estate of the late Mrs. GertrupE Cowpin, 


George Herbert McCord, A.N.A. 
AmeERIcAn: 1840—1909 


11—OFF THE COAST OF HOLLAND 


Canvas: Height, 12 inches; length, 16 inches 


A FLEET of Dutch fishing boats with varicolored sails scud- 
ding before the wind, from the left of the picture, into the 
open sea. At the extreme right, gray in the distance, a vessel 
leads the fleet. The sky shows clouds of white and gray, a 
space of blue at the left. 
| Signed at the lower left. 
Property of P. H. McManoy, Esa. 


Guillaume Seignac 


FrencH: CONTEMPORARY 


12—IN A DILEMMA 
Panel: Height, 131% inches; width, 10 inches 


Two LITTLE girls, one but a child, are depicted standing before 
the large fireplace of a living-room in a French farmhouse. 
The smaller girl, having emptied the contents of a pair of 
sabots, which are seen on the floor, on Christmas morning or 
the day of her féte, into her little white gown held before her 
as a receptacle, has let drop packages of candies, oranges and 
other little gifts, and the older sister, with dolls tucked under 
her arm, while helping the little one to hold on to what she has, 
is in a dilemma about how to let go so as to pick up what has 
fallen. 


Signed at the lower left. 
Property of P. H. McManon, Esa. 


Karl Breydel 


GERMAN 


te LHE BATTLE 
Height, 111% inches; length, 18 inches 


In the foreground a spirited conflict is taking place between 
opposing parties of horsemen, with battalions of troops in 
movement farther away. Beyond, in the middle distance, a 
city, on the banks of a river, with mountains on the left. At 
the right a castle on a hill. The sky is of tempered blue with 
clouds of white and gray. 


Property of Mrs. Bensamix Tuaw. 


W. F. Witherington, R.A. 


BritTisH 


14—ENGLISH LANDSCAPE 


Canvas: Height, 12 ieher length, 16 inches 


A pomEstTic landscape showing a road, lined with trees, pass- 
ing before the doors of ancient cottages, a little girl, in black 
basque and pink skirt, coming to fill a pitcher at a well, and 
another child at play on the roadside with a black and white 
terrier. Sunlight falls from the left and the trees cast shadows 
over the road and the dooryards. 


Signed at the lower left. 
By order of an Executria. 


Nicolas Berghem (Attributed to) 
15—CATTLE AND LANDSCAPE 


Canvas: Height, 161% inches; length, 19 inches 


A. Grour of cows in foreground, with a donkey laden with 
goods, and goats, in a landscape setting of an evening effect. 
On right, a high bank crowned with trees; at left a lad ap- 
proaching on a donkey with a load of fagots. Sky ruddy at 
horizon, blue-gray above, with clouds. 


Property of Mrs. Bensamin THaw. 


Adriaen Van de Velde 
Dutcnu: 1636—1672 


16—LANDSCAPE AND CATTLE 
Panel; Height, 144% inches; length, 1934 inches 


A Group of cows and two sheep, with a maid milking a mouse- 
colored cow at left. A sorrel and white cow is in the center 
and a peasant is seen leaning on a gate at the left. There are 
trees in the foreground, one consisting only of the trunk and a 
branch or two that have grown out after the top broke off. 
Beyond are pastures, trees and other cattle grazing. 


Signed on the gate at the left. 
By order of an Executria. 


Arthur B. Davies 
AMERICAN: 1862— 


17—V ISIONS OF GLORY 
Canvas: Height, 101% inches; length, 15°4 inches 


A BLOND-HAIRED youth in armor and with a red cloak hanging 
from his shoulder, standing at the foot of an oak. ‘The figure 
is placed in the center of the composition. The background is 
a forest view with sunlight striking across the green grass in 
the foreground. 

Signed at the lower right center. 


Property of the Estate of the late Mrs. GrertrupE Cownp1n. 


William Langson Lathrop, N.A. 
AmeERIcAN: 1859— 


18S—LANDSCAPE 
Canvas: Height, 14% inches; length, 18 inches 


In the foreground a valley and a stream, with a hamlet on the 
flatlands; beyond, a hillside, and overhead a sky of gray clouds. 


Signed at the lower right. 


Property of ALEXANDER Morten, Esa. 


Robert Reid, N.A. 
AMERICAN: 1863— 


19—LANDSCAPE 
Panel: Height, 1215 inches; length, 16 inches 


A sTREAM occupies the foreground, reflecting a blue sky and 
the varicolored foliage of the undergrowth on the bank which 
is seen at the upper part of the composition. 


Property of the Estate of the late Mrs. GertrupE Cownrn. 


John H. Twachtman 
AMERICAN: 1853—1902 


20—_LANDSCAPE 
Canvas: Height, 12%4 inches; length, 181% inches 


Amin rolling, green pastures, with stone fences, a white house 
and some other buildings are seen near the middle of the 
picture, partly masked by a few slender trees that grow in 
the foreground. Beyond is a range of hills and the sky, above, 


is of blue with white clouds. 
Signed at the lower left. 


Property of the Estate of the late Mrs. GertrupE Cownin. 


Childe Hassam, N.A. 
AMERICAN: 1859— 


21—d FLOWER GARDEN 


Water color: Height, 191% inches; width, 138% inches 


BermMupa lilies, azaleas, blue larkspurs and other blossoms in 
a flower bed. At the top of the picture, above the flowers and 
leaves, is a glimpse of the sea. 


Signed at the lower left, and dated 1893. 


Purchased from N. E. Montross. 


Property of ALEXANDER Morten, Ese. 


Juliet Thompson 


AMERICAN: CONTEMPORARY 


22—HEAD OF A YOUNG WOMAN 
Pastel: Height, 191% inches; width, 151% inches 


A. PICTURE of a young woman with an old-fashioned bonnet 
of blue set on the back of her head and blond hair falling in 
loose curls on each side of her face. 

Signed at the upper left. 
Purchased from the artist. 


Property of Avexanper Morten, Esa. 


Charlotte Buell Coman, A.N.A. 


AMERICAN: CONTEMPORARY 


23—_LANDSCAPE 
Canvas: Height, 164 inches; length, 19 inches 


THE foreground shows green meadows with a brook flowing 
through them. In the middle distance is rising ground with a 
few houses, tree-covered hills appearing beyond and _ their 
masses forming a diversified silhouette against the sky of gray 
and white clouds. The effect depicted is of sunshine tempered 


by the morning mists. 
Signed at the lower left. 


Purchased from William Macbeth. 


Property of ALEXANDER Morten, Esa. 


Eastman Johnson, N.A. 
AMERICAN: 1824—1906 


24—THE FINISHING TOUCH 
Millboard: Height, 201% inches; width, 161% inches 


A Group of two girls in the living-room of an American farm- 
house. One, the taller of the two, in jacket of black, with red 
braid, and skirt of orange, is standing facing to the right, where 
there is an open window, and holding her hat, trimmed with a 
pink posy and ribbons of blue, by her side with her right hand. 
She seems to be ready to go out, perhaps to church, but her 
little sister, in plain everyday frock of green, is reaching up 
to arrange her collar or to pin a brooch at her neck so that 
there may be no fault to find by the critical. A homelike, 
domestic scene, sincerely portrayed. 


Signed at the lower left, and dated 1872. 


From the artist’s sale. 


Property of P. H. McManoy, Ese. 


Theodore Robinson 
AMERICAN: 1852—1896 


25—AN ANCIENT HOUSE: WINTER 


Canvas: Height, 18 inches; length, 22 inches 


A MONUMENTAL gateway, adjoining a white-walled house 
which stands, surrounded by a wall, on a slight eminence, is 
the commanding point of interest in the picture. Snow covers 
the roofs and various projections and spreads its white mantle 
over the foreground. A glimpse of distant country is seen 
dimly at the left, and above is a winter sky of gray. 


Stamp on the back of canvas: ‘Theodore Robinson Sale, March 24, 
1898.” 


Property of the Estate of the late Mrs. GertTruDE Cownin. 


Frederick W. Kost, N.A. 
AMERICAN: 1861— 


26—DUCK SHOOTING 
Canvas: Height, 16 inches; length, 24 mches 


A SPORTSMAN, kneeling at the side of a stream, in the fore- 
ground, in the dim light of dawn, is aiming his gun at a flight 
of ducks, seen rising from the sedges in the middle distance, 
on the right. On the left of the picture are some trees in the 
sparse foliage of late autumn. ‘The sky, partly covered with 
gray clouds, shows a streak of yellow light at the horizon, a 
sign of the break of day. 


Signed at the lower right. 
Property of P. H. McManon, Esa. 


William Merritt Post, A.N.A. 


AMERICAN: 1856— 


27—_THE LOWLAND MEADOWS 
Canvas: Height, 16 inches; length, 26 inches 


A sLUGGISH stream flows through the meadows, widening out 
in the foreground where, on the right, there is a cottage set 
amid a group of trees. In the distance, on the left, appears 
a line of hills. The sunset sky shows warm gray, tawny-tinted 
clouds at the horizon, a space of greenish-blue above, and 
heavier clouds still higher up. ‘The effect is forcefully rendered. 


Signed at the lower left. 
Property of P. H. McManoy, Esa. 


Edward Gay, N.A. 
AMERICAN: 18388— 


283—THE FISHERMAN S HOME, 
HASTCHESTER CREEK 


Canvas: Height, 18 inches; length, 24 inches | 


In this pleasant landscape, illumined by the last rays of the 
sun on an autumn day, a stream flows from the left foreground 
into the middle of the picture. On its banks, at the right, the 
foliage of the topmost branches of a group of trees is lit up 
by the sun and nearby, on rising ground, a cottage nestles 
among the shrubbery. Drawn up on the bank of the stream, 
at the right, is a punt with a fisherman beside it. Overhead 
is a sky full of pink-tinted clouds and in a space of blue in the 
upper portion is the thin crescent of the new moon. 


Signed at the lower right. 
Property of P. H. McManon, Esa. 


Frank Knox Morton Rehn, N.A. 
AMERICAN: 1848—1915 


29_THE GULF STREAM 


Canvas: Height, 16 inches; length, 28 inches 


THE open sea with a vessel on the horizon. From the upper 
part of the sky of gray, with warm-tinted accents, the sunlight 
falls and illumines the tumbling waves. 


Signed at the lower left, and dated 1902. 


Property of P. H. McManon, Esa. 


Theodore Robinson 
AMERICAN: 1852—1£96 


30—THE WHITE BARN 
Canvas: Height, 151 inches; length, 251 inches 


A FENCED roadway leads from the left foreground to the 
entrance of a large barn with white walls, which fills the 
middle part of the composition. The effect depicted is one of 
moonlight, and dark shadows are cast from the left on the grass 
in the foreground by trees outside of the picture. ‘The moon- 
light, less intense than in the clearer atmosphere of the northern 
states in America, is characteristic of the close of the long 
twilights in the north of France, and the effects are rendered 
in the picture with truth of observation. 


Stamp on the back of canvas: “*Theodore Robinson Sale, March 24, 
1898.” 


Property of the Estate of the late Mrs. Gerrrupr Cowpin. 


Early Spanish School 


31—_SAINT IN ATTITUDE OF PRAYER 
Canvas: Height, 19 inches; width, 14 inches 


A HEAD and bust, to left, of a young woman; curling brown 
hair falling about her neck from under head-covering of olive- 
gray; scarlet bodice and cloak of ultramarine blue; hands held 
together with fingertips touching. 


Property of Mrs. Bensamin Taw. 


Bernard Van Orley 
Fremiso: 1491 ?—1542 


32—MADONNA AND CHILD 
Panel: Height, 19 inches; width, 14 inches 


A HALF-LENGTH figure of the Madonna, in blue robe and red 
cloak, suckling the Child, whom she sholds on a green-covered 
table before her, her left hand supporting His back, while 
assisting in His nourishment with the right hand. Green cur- 
tains above, draped on both sides. 


Property of Mrs. Benzamin TuHaw. 


Early Flemish School 


383—PORTRAIT OF A GENTLEMAN 
Panel: Height, 20% inches; width, 16 inches 


Bust portrait of a gentleman with close-cropped dark hair and 
sparse pointed beard; high collar of white silk trimmed with 
lace; black doublet, with conical gold buttons, and wearing a 
large chain composed of many strands of small links. 


At upper right an inscription, “Anno domini 1596 
aetatis suae—55” 


Property of Mrs. Benzamin Tuaw. 


Federigo Zucchero 
Irauian (Roman): 1543—1609 


34— PORTRAIT OF ROBERT DEVEREUX, 
EARL OF ESSEX 


Panel: Height, 2234 inches; width, 17 inches 


Busr portrait of a gentleman with dark hair and brown beard, 
wearing an Elizabethan ruff and a doublet of white silk with 
narrow black pendent scarf. The head is carefully drawn and 
painted with minute attention to detail. 


In the upper left hand corner, inscription and signature: 
Rogpert Devereux, Earyu or Essex; F. ZuccHero. 


By order of an Executria. 


Sir Edwin Landseer, R.A. 
Britisu: 1802—1873 


35—ODIN 
(Companion picture to No. 36) 


Canvas: Height, 17 inches; length, 21 inches 


A LIFE-S1ZE head of a fine St. Bernard dog, facing to the right 
in three-quarter view. The coat is tawny orange with black 
markings and a white blaze from the muzzle to the top of the 
head. A black leather collar encircles the neck where the white 
fur is long and heavy. A masterly example of the work of the 
celebrated painter. 


Formerly the property of Mrs. Drummond, and frequently engraved. 


Property of a Private Collector. 


Sir Edwin Landseer, R.A. 
Bririsu: 1802—1873 


36—HAFED 
(Companion picture to No. 85) 


Canvas: Height, 17 inches; length, 20% inches 


A portrait head, life size, of a rough-coated Scotch deer- 
hound, facing in profile to the left. The muzzle is white, 
mingled with fawn color, and a darker tone of fawn marks 
the ear, while a streak of black extends from the muzzle to the 
top of the head. Notable is the keen glance of the eye. Around 
the neck is a black leather collar with a metal ring attached on 


the under side. 


Formerly the property of Mrs. Drummond, and frequently engraved. 


Property of a Private Collector. 


Louis Coignard 
Frencu: 1812—1883 


37—_THE OX TEAM 
Canvas: Height, 15 inches; length, 22 inches 


A TEAM of four of the cream and sorrel oxen of the Nivernais 
are depicted turning a corner as they advance to the front of 
the picture so that the forward pair are in three-quarter view 
from behind them and the two at the wheel are shown in full 
face. ‘This sleek and handsome attelage is attached to a plow, 
its wheel and the legs of the farmer being seen, under the yoke, 
of the pair at the rear. On the edge of the field is a group of 
trees. An excellent example of a celebrated animal painter of 
sterling achievement. 

Signed at the lower right. 


Property of a Private Collector. 


Jean Baptiste Greuze 
Frencu: 1725—1805 


38—THE SUPPLIANT 


(In contemporary frame) 
Canvas: Height, 20 inches; width, 16 inches 


Tue head and bust of a young girl, blond and blue eyed, her 
hands clasped before her, the head inclined to the right and her 
hair falling over her shoulders. Her white chemise shows in 
the lower part of the figure, the arms and shoulders being bare. 


From the W. H. Aspinwall Collection, New York, 1886; examined and 
valued by Mr. Charles Sedelmeyer, the expert of Paris. 


By order of an Executria. 


Federigo Zucchero 
Iratian (Roman): 1543—1609 


39—FKFERNANDO CORTEZ 
Panel: Height, 2234 inches; width, 1714 inches 


Bust portrait, in oval, life size, nearly full face to right, of a 
middle-aged man with dark hair, brown silky beard and mus- 
tache, and with ruff around neck. 


By order of an Eaecutria. 


Louis Jimenez 
SPANISH 


40—RESTING 
Canvas: Height, 20 inches ; length, 2414 wches 


A PRETTY, young, blond-haired French peasant girl, with pink 
bodice, brown skirt and blue apron, is depicted seated on the 
grass under the trees that grow on the bank of a river, her hands 
folded in her lap. Beside her, on her right, is a basket con- 
taining tomatoes and other vegetables and on the other side 
two empty baskets. On the farther shore of the river are the 
buildings of a town and, above the roofs, a glimpse of gray sky. 


Signed at the lower left, with ‘‘PonTotsE.” 


Property of a Private Collector. 


John Crome 
(OLD CROME) 


BritisH: 1768—1821 
41—LANDSCAPE IN NORFOLK 
Canvas: Height, 251% inches; width, 921, inches 


A LANE in the foreground leading through a countryside to the 
right of the picture, where there is a hill. On the left there are 
trees; in the roadway two sheep followed by a boy with a staff. 
In the middle of the picture is a landscape vista and the sky 
shows white and gray clouds. 


Signed on rocks at the left, and dated 1820. 


By order of an Executria. 


Sir Peter Lely 
British Scuoou: 1618—1680 


42—PRINCHSS MARY OF HOLLAND 
Canvas: Height, 25 inches; width, 18%4 inches 


HAL¥F-LENGTH, life-size portrait of the princess in youth, with 
black hair falling in soft tresses on her shoulders; low-neck 
gown of gray satin trimmed with lace; pearl necklace, and pearls 
in bandeau on the back of hair. The body is in three-quarter 
view to right, the head more nearly in full face. 


By order of an Executria. 


Nicolas de Largilliere 
Frencu: 1656—1746 


483—PRINCESS CLEMENTINE SOBIESKI (Mother 
of Prince Charles Stuart, the Pretender ) 


Canvas: Height, 24 inches; width, 20 inches 


Bust portrait of a beautiful young woman in full face, pow- 
dered hair with ornament, low-neck court gown of pale pink and 
gray satin, with lace insertion, and small corsage bouquet of 
red flowers. The background is composed of foliage, and a sky 
with a space of turquoise-blue, back of the subject’s shoulders. 


Property of a Private Collector. 


Early Dutch School 


44—LANDSCAPE 
Canvas: Height, 21 mches; length, 29 mches 


A RIVER winds its way with many turnings into the center of 
the picture, where buildings are seen on either bank. On right, 
in foreground, thatched cottages, and farther away, a village; 
trees on right and left; a punt at shore with a man standing 
in it, a woman nearby, other figures animating the landscape, 
walking toward cottages; fishermen and maids in middle dis- 
tance. Sky of warm-tinted clouds with faded blue above. 


Property of Mrs. Bensamin Tuaw. 


Eugene Higgins 


AMERICAN: CONTEMPORARY 
45—BEHSIDE THE CRADLE 


Painted on copper: Height, 20 inches; width, 1514 mches 


A CHILD, in dress of pink and green, seated beside a cradle in 
which is a sleeping baby snugly nestled in a feather bed. The 
child, intent on its duty of keeping watch, has its hands on the 
side of the cradle as if to keep it gently rocking. 


Signed at the lower right. 
Bought from American Art Association. 


Property of ALEXANDER Morten, Esa. 


Sir Joshua Reynolds, P.R.A 
Bririsu: 1723—1792 


46—PORTRAIT OF DR. SAMUEL ARNOLD 
Canvas: Height, 29 inches; width, 24% inches 


Tuts portrait of Dr. Arnold, the musical composer, shows the 
subject in half length, seated in an armchair, the body in back 
view and head turned to left, showing in profile. He wears a 
gray perruque tied with dark gray ribbon. 


Purchased from Mr. Julius D. Ichenhauser, London. 


By order of an Ezecutria. 


Clara Taggart McChesney 


AMERICAN: CONTEMPORARY 


47— STILL LIFE 
Water color: Height, 16 inches; length, 2214 imches 


THREE pomegranates, and the half of another, showing the 
inside of the luscious fruit, on a shelf, with a copper jug. 


Signed at the lower right. 


Property of ALEXANDER Morten, Esa. 


Childe Hassam, N.A. 


AMERICAN: 1859— 


48—THE WOODCHOPPERS 
Canvas: Height, 18 inches; length, 22 inches 


In the immediate foreground two men are busy cutting up the 
trunk of a tree that has been felled and lies across the roadway 
which stretches away to the middle distance. On the left are 
garden fences and a white house, seen through the slender trees 
which line the road. Beyond is a blue autumn sky. The effect 
is of sunlight and the ensemble is colorful. This is the original 
from which the larger painting of similar subject was copied. 


Signed at the lower left. 


Property of ALEXANDER Morten, Esa. 


John H. Twachtman 
AMERICAN: 1858—1902 


49—THE DESERTED WHARF 


Canvas: 20 inches square 


ON the right is a small wharf, or landing-place, built on piles, 
with some old lumber lying on it, and the red walls of buildings 
which line the shore of an estuary, or inlet. The foreground and 
left middle distance are occupied by the water, reflecting the 
buildings and the gray-blue of the sky, a glimpse of which 
appears in the left upper portion of the canvas. 


At the lower right the stamp, “T'wachtman Sale.” 


Property of ALEXANDER Morten, Esa. 


Theodore Robinson 
AMERICAN: 1852-—1896 
50—FARMHOUSE AND RICK 
Canvas: Height, 151% inches; length, 251 inches 


A croup of French farm buildings, with white walls and red- 
tiled roofs, is seen at the foot of a hill and near a straw stack, 
which stands at the edge of a stubble field. The effect is in 
sunlight with shadows on the field in the lower part of the 
picture. Over all is a sky of gray. 


Signed at the lower left, and dated 1890. 


Property of the Estate of the late Mrs. GrrtTRuDE Cowni1n. 


John H. Twachtman 
AMERICAN: 1853—1902 


51_AUTUMN 
Canvas: Height, 25 inches; width, 16 inches 


A TREE in crimson-tinted foliage standing in a field with grass 
yellowed by the autumn season, and relieved against a sky of 
gray-blue; the whole depicted in hazy sunshine. — - 


Stamp of the “Twachtman Sale” at the lower left. 


Property of ALEXANDER Morten, Esa. 


Thomas Wilmer Dewing, N.A. 
AMERICAN: 1851— 


52—PORTRAIT OF MARGARET ANGLIN 
Silverpoint: Height, 2134 inches; width, 19/ inches 
A DELICATELY drawn head of a woman in full face view. 


Signed, with imscription. 


Property of ALEXANDER Morten, Esa. 


Bruce Crane, N.A. 


AMERICAN: 1857— 


58—GOLDEN AFTERNOON 


Canvas: Height, 18 inches; length, 24 inches 


THE composition shows the edge of a wood, on the right, with 
trees in golden yellow leaf, the gray trunks and the foliage 
glowing in the mellow sunshine of an autumn afternoon. On 
the left are fields of tawny yellow grass with a pile of cord- 
wood in the foreground. Above is a sky of gray. 


Signed at the lower right. 
Property of Mrs. Joseru M. Cartisie. 


Childe Hassam, N.A. 
AMERICAN: 1859— 


54—A WINTER DAY 
Height, 191% inches; length, 25 inches 


In a snow-covered road curving from the foreground between 
high banks with shrubbery and trees, a sleigh and other con- 
veyances are seen about to disappear around a bend. ‘The sense 
of a wintry atmosphere is well suggested and the sky of warm 
yellow-gray indicates a late hour of the afternoon or early 
evening. 

Signed at the lower left. 


Property of the Estate of the late Mrs. GerrTRuDE CowDIN. 


Charlotte Buell Coman, A.N.A. 


AMERICAN: CONTEMPORARY 


55—LANDSCAPE 
Canvas: Height, 25 inches; length, 191 inches 


A viEw, from a height in the foreground, over a green valley 
dotted with villages and farms, extending to hills in the dis- 
tance. Overhead, in an evening sky with tints of pink and 
blue, are some lightly floating clouds. 

Signed at the lower left. 


Bought from William Macbeth. 


Property of ALEXANDER Morten, Esa. 


William Keith 
AMERICAN: 1839—1911 


56—FOREST INTERIOR 
Canvas: Height, 20 mches; length, 24 inches 


A soMBER harmony of deep blues and browns in which the 
elements are the trunks and branches of forest trees. In the 
center of the picture the ground and a tree trunk or two are 
illumined by the light from above. 

Signed at the lower right. 
Property of a New York Collector. 


J. Wells Champney, A.N.A. 
AMERICAN: 1834—19038 


57—-MARIE ANTOINETTE 


After the portrait by Madame Vigée Le Brun, in the gallery at 
Versailles. 


Pastel: Height, 27 inches; width, 211% inches 


ONE of the excellent copies of French royal and noble person- 
ages made by the artist from originals in the French state 
museums. ‘The subject, as depicted in this work, is a portion 
of a large picture and portrays the head and bust. The high 
coiffure is surmounted by a large hat, draped with a veil and 
ornamented by a cluster of white ostrich feathers. 


Signed at the lower right. 


Property of ALEXANDER Morten, Esa. 


Middleton Manigault 


AMERICAN: CONTEMPORARY 


58—THE SKY ROCKET 
Canvas: Height, 20 inches; length, 24 mches 


A sky rocket bursting in a varicolored shower above a lake with 
a boat and passengers crossing the water where it is illuminated 
by the pyrotechnic glare. A motif treated as a color decoration. 


Signed at the lower left, and dated ’09. 


Property of ALEXANDER Morten, Ese. 


Benjamin West, P.R.A. 
AMERICAN (British ScuHoor): 1738—1820 


59—THE RETURN FROM THE PROMISED LAND 


Panel: Height, 21 inches; length, 29 wmches 


A COMPOSITION containing over twenty figures with Moses, 
in red robe and green drapery over his knees, seated, with hands 
extended, in the center of the principal group. Beside him 
stands Aaron, in all the magnificence of priestly costume and 
wearing the jeweled breastplate. On the right, men, women 
and children are gathered before the tents. On the left is a 
group of men bending over or on their knees, with fruits. In 
the background is a landscape with mountains. An important 
example of West’s best period. 


By order of an Executria. 


Léon Richet 
Frencu: 1847—1907 


60—RETOUR DE PECHE 
Canvas: Height, 22 inches; length, 32 inches 


A, Group of full-foliaged trees, reaching to the top of the 
canvas on the right, and the wide expanse of a smooth-surfaced 
river form the motive of the landscape, the whole under a sky 
of mingled yellow and blue with the sun setting in a mass of 
glowing clouds at the horizon. Walking away, under the 
trees, is a peasant carrying a fishing pole, the figure furnishing 
the title of the picture. 


Signed at the lower left. 
Property of a Private Collector. 


George Morland 
Britiso: 1763—1804 


61—_THE WRECKERS 
Canvas: Height, 25 inches; length, 30 inches 


A Group of men and women, in the right foreground, where 
a vessel is beached on the sands, examining and sorting over 
packages of goods. In the middle portion of the picture another 
vessel, the bow tipped up in the air, lies in the breakers, and a 
boatload of wreckers is seen approaching it. Overhead is a 
stormy sky with masses of gray and white clouds and, at the 
left, a space of blue. 


By order of an Executria. 


B. Art 


CoNTEMPORARY 


62—STILL LIFE 
Panel: Height, 191% inches; length, 35 inches 


ON a gray marble table are an earthenware jug of pale yellow 
and brown, a rustic basket with cocoanuts, one of them broken 
in half, a wineglass, an apple or two and some other objects. 
The picture, of a general tone of gray, is skilfully executed. 


Signed at the upper left. 


Property of the Estate of the late Mrs. GertrupE Cowpin. 


Emile Auguste Pinchart 
Frencu: 1847— 


683—_CHRYSALIS 
Canvas: Height, 32 inches; width, 2334 inches 


A. YOUNG woman in a fanciful costume of blue, white, yellow 
and black, seated on a stone bench in a garden with a basket 
of colored wools beside her, is depicted looking at a butterfly 
which a little cupid, with wings of white tipped with blue, is 
holding up before her. A skilfully painted fancy, possessing 
notable qualities of pleasing color. 


Signed at the right, and dated 1875. 


From the Henry Hilton Sale, New York, 1900. 
Property of a Private Collector. 


Pierre Marie Beyle 
Frencu: 1838— 


64A—UNE PARTIE DE DAMES 


Canvas: Height, 37 mches; width, 26 inches 


Four ladies in costume of the ’70’s, two in dresses of blue, one 
in yellow and one in black, are seen at a boat landing on a 
stream shaded by pollard willows. While two remain on the 
little landing stage, the two others have taken places in a green 
punt. Perhaps the two on the landing are to be the passengers 
and the other two the rowers, in the afternoon’s diversion. ‘The 
work is agreeably composed and skilfully painted. 


Signed at the lower right. 


From the Henry Hilton Sale, New York, 1900. 
Property of a Private Collector. 


Early Spanish School 


65—A LADY WITH BRANCH OF PALM 
Canvas: Height, 361 inches; width, 30 inches 


THREE-QUARTER-LENGTH figure of a lady of brunette type, her 
hair dressed with pearl tiara and jewels; robe of blue, and 
cloak of yellow brocade, embroidered with pearls and lined 
with red. The right hand is extended in graceful movement 
and in the left hand, with arm supporting cloak, a branch of 
palm. In background, at left, a formal garden with tall trees 
and sky above of gray-blue and clouds. ‘Two birds flying 
above the tree-tops. 


Property of Mrs. Benzamin Tuaw. 


Early English School 


66—THEH LIGHT FROM HEAVEN 
Canvas: Height, 36 inches; width, 28 inches 


HA.¥F-LencTH, life-size youthful figure in side view; dark 
curling hair, loose robe of tawny pink and white underdress. 
The head is uplifted and hand raised in the direction of shafts 
of light coming from clouds in the upper left portion of the 
picture. 


Property of Mrs. Benzamin Tuaw. 


Sir Peter Lely 
British Scuoou: 1618—1680 


67—_CHILD AND DOG 
Canvas: Height, 30 inches; width, 24% mches 


A HALF-LENGTH, life-size picture, in oval, of architectural 
design, of a little girl, depicted in full face, with blue eyes and 
blond, curly hair; frock of white and gold, and necklace of red 
beads. Her right hand rests on the neck of a pointer, whose 
head, in profile, and one paw, appear at the lower part of the 
picture. 


From the collection of E. Aitken, Stanfield College, Todmorden, Eng. 
Property of a Private Collector. 


Eighteenth Century French School 


68—A LADY WITH A HARP 


Canvas: Height, 371% inches; width, 281% inches 


THREE-QUARTER-LENGTH seated figure of a lady, with body 
to right; face in nearly full view to left; dark hair with jeweled 
bandeau and cluster of pink roses; slender chain, with a pearl, 
around the bare neck. She holds on her lap a small harp and 
a sheet of music. 


Property of Mrs. Benzamin Tuaw. 


B. Art 


CONTEMPORARY 


69—ARAB WITH A KNIFE 
Canvas: Height, 3534 inches; width, 24 inches 


A FULL-LENGTH figure of a bearded Moor wearing a loosely 
fitting orange coat and holding a knife with curved blade in 
his right hand. His left hand rests on his hip, where his white 
underdress is encircled by a girdle of red. 


Property of the Estate of the late Mrs. GerrrupE Cownrin. 


Arthur B. Davies 
AMERICAN: 1862— 


70—TRIPTY CH 


Central panel, canvas: Height, 17 inches; length, 22 inches 
Side panels: Each, height, 124% imches; width, 54% mches 


THE central panel, a marine, depicts a heavy sea with breakers 
crashing against rocks on the foreground. Beyond lies the dark 
blue expanse of the ocean and above is a sky of blue with white 
clouds. 

The small panel on the right shows a three-quarter-length nude 
figure of a young woman in graceful pose, as if in the movement 
of a slow dance. In the small panel on the left is a three- 
quarter-length nude figure of a young woman. 


Signed on the central panel, at the lower left, and dated 1899. 


Property of the Estate of the late Mrs. GertrRupE Cownin. 


Robert Reid, N.A. 
AMERICAN: 1863— 


71—GIRL AND GREEN SHUTTER 
Canvas: Height, 30 inches; width, 25 inches 


AL THREE-QUARTER-LENGTH seated figure, in profile view, of a 
young girl in dress of orange-pink, a bluish-green shutter form- 
ing the background and producing a pleasing harmony of 
color. ‘The young woman looks forward to the spectator’s right, 
her chin resting in her left hand, while the other hand and arm 
lie reposefully in her lap. 


Bought from the artist. 


Property of ALEXANDER Morten, Esa. 


Eugene Higgins 


AMERICAN: CONTEMPORARY 


72_THE CHAIN GANG 
Water color: Height, 241 inches; length, 34 inches 


BEHIND a wagon, on which is riding a prison guard with rifle 
on shoulder, are two negroes walking. They are carrying on 
their shoulders their heavy mattocks and shovels and are fol- 
lowed by another armed guard. The figures in this melan- 
choly procession, as the party is descending a hill, are relieved 
against a sky filled with white clouds and showing a strip of 
blue at the top of the canvas. 

Signed at the lower right. 


Property of ALEXANDER Morten, Esa. 


John H. Twachtman 
AMERICAN: 1853—1902 


73—THE BEACH AT SQUAM 


Canvas: Height, 25 inches; length, 30 imches 


THE blue waters of the sea are depicted rolling in from the 
right foreground and spreading out on a sandy beach at the 
left. In the middle portion of the picture the shore rises in a 
hillock or sand dune sparsely covered with herbage. White 
clouds, swept by the wind, cover the sky above, except for a 
few spaces of blue. Ba 

Signature at the lower left. 


Property of the Estate of the late Mrs. GertrupE Cownin. 


Bruce Crane, N.A. 
AMERICAN: 1857— 


74—THE BRANDYWINE VALLEY 


Canvas: Height, 22 inches; length, 30 inches 


A. SIMPLE motive of meadows covered with withered grass, 
pink, brown and a patch of green; a stump or two and some 
slender trees, rising to a bare hill beyond which, on the left, 
lies a valley enclosed by distant hills. Over all is a sky of 
gray. 

Signed at the lower left. 
Property of P. H. McManon, Ese. 


Hugh Bolton Jones, N.A. 
AMERICAN: 1848— 


75—_—SUMMERTIME 


Canvas: Height, 22 inches; length, 36 inches 


LusuH green meadows, with a stream on the right, occupy the 
foreground, while trees in the fresh foliage of the month of 
June, lining the banks of the stream, are relieved against a 
bright, clear sky of pale blue with white clouds. In the middle 
distance is a foot bridge with a man on it leaning on the railing. 


Signed at the lower left. 
Property of Mrs. JosepH M. Car ise. 


Leonard Ochtman, N.A. 
AMERICAN: 1854— 


76—THE HARVEST FIELD 
Canvas: Height, 24 inches; length, 36 inches 


A wHEat field lying in a valley with its crop set up in shocks 
and ready to haul to the barn. In the middle distance is a 
loaded wagon driving off and a farmer bending over in the 
stubble. At the left, on a hill, is a clump of trees, and a glimpse 
of the sea appears beyond, in the center of the picture. Above 
is a sky filled with gray clouds, their formation and movement 
presaging the coming of a shower. 

Signed at the lower left. 


Property of P. H. McManon, Esa. 


John H. Twachtman 
AMERICAN: 18538—1902 


77_-HOUSE ON ROCKS 
ABOVE POOL AND STREAM 


Canvas: 30 inches square 


A. POOL amid great bowlders and the water flowing out on the 
left fill the forepart of the picture. On the farther shore of the 
pool, perched high up on the rocks, is a little white house. 
Herbage of varicolored tints and the thin foliage of some 
slender trees and saplings diversify the scheme of color, which 
includes pale grays, pinks, blues, violets and greens. 


Stamp of the “Twachtman Sale” at the lower left. 


Property of the Estate of the late Mrs. GertruDE Cownrn. 


John H. Twachtman 
AMERICAN: 1853—1902 


78—_THE WHITE BRIDGE 


Canvas: 30 inches square 


Partty obscured by the light green foliage of slender trees 
on a bank in the left foreground is a white bridge, with a 
pavilion, crossing a stream, which flows from the background 
recesses of the picture through the foreground on the right. 
The color scheme throughout is cast in various light tints of 
green, accented by the white note of the bridge structure and 
by the blue sky reflections in the water. 

Signed at the lower left. 


Property of ALEXANDER Morten, Esa. 


Bruce Crane, N.A. 
American: 1857— 


79—IN THE MOHAWK VALLEY 
Canvas: Height, 36 inches; width, 30 inches 


FLAT-LYING farm fields occupy the foreground, extending half 
way up in the composition to where a silver stream crosses, lined 
with herbage, and beyond, a hillside with other fields and farm 
buildings spotted here and there. A belt of trees crowns the 
hill and a strip of gray sky completes the picture. ‘The color 
scheme shows russet tints in sober harmonies. 


Signed at the lower left center. 


This picture was awarded a prize and medal at the Exhibition of the 
Carnegie Institute, Pittsburgh, 1909. 


Property of P. H. McManon, Esa. 


Augustus Vincent Tack 


AMERICAN: CONTEMPORARY 


80—HVH WEEPING 
Canvas: Height, 36 inches; width, 28 imches 


A. FULL-LENGTH nude figure of a young woman, in side view 
and facing to the right. Her right arm is raised to her head, 
shielding her face, and the left hand is extended in a move- 
ment suggesting a hesitating step. The action and the general 
conception may be taken as indicative of the exit from the 
Garden of Eden, if not some other moment of sorrow. 


Signed at the lower left. 


Property of ALEXANDER Morten, Esa. 


William Merritt Chase, N.A. 
AmeERIcAN: 1849— 


81—_STILL LIFE 
Canvas: Height, 281 inches; length, 391% inches 


A BLACK pot with shining lining, a copper casserole and a 
brass Jug are grouped together with a large copper vessel which 
stands in the shadows on the left. Some green peppers, nearby, 
make an effective note of color, while the polished metallic 
surfaces form gleaming accents in the ensemble as they catch 
and concentrate the light. 

Signed at the lower left. 


Property of the Estate of the late Mrs. GertrupE Cownin. 


George Elmer Browne 
American: 1871— 


82—A DOMESTIC TASK 
Canvas: Height, 314% inches; length, 381% inches 


A. LIFE-SIZE figure of a French peasant woman, with brown 
dress and white cap, seated at the right of the picture and 
engaged in cleaning a couple of huge globe-shaped glass 
bottles. These vessels, placed on a straw-covered shelf, under 
an archway, reflect the light of out-of-doors, which is indi- 
cated by the sun-illumined white wall behind the figure. The 
picture is notable for sincerity in execution and good drawing 
in the head and hands of the figure. 

Signed at the lower left. 
Bought from Messrs. Knoedler & Co. 


Property of ALEXANDER Morten, Ese. 


George H. Bogert, A.N.A. 
AmeERICAN: 1864— 


883—_MOONLIGHT 
Canvas: Height, 28 inches; length, 40 inches 


Over broad fields, a stream and a clump of trees, at the right, 
the full moon, seen near the middle of the sky, sheds its ight 
and illumines the clouds above and about it. The effect is con- 
centrated in the middle part of the composition so that the 
picture is striking in general aspect. 

Signed at the lower right. 


Property of Mrs. JosreruH M. Caruiste. 


Jonas Lie, A.N.A 
AMERICAN: 1L880— 


84—_THE FOG 
Canvas: Height, 35 inches; length, 42 inches 


In the left center of the composition a large tree in autumn 
foliage looms up in a foggy atmosphere and two others beyond 
it are seen still more dimly. On either side are some dead trees 
with bare branches reaching upward. ‘The foreground, so far 
as color may be distinguished, shows greensward. ‘The fog 
enshrouds the whole picture and both color and form are largely 
sacrificed in depicting the effect. 


Signed at the lower right, and dated ’07. 
Bought from the artist. 


Property of ALEXANDER Morten, Esa. 


John H. Twachtman 
AMERICAN: 18538—1902 


85—IN THE GARDEN 


Canvas: Height, 26 inches; length, 69 inches 


A. HALF-LENGTH seated figure of a little girl in white, holding 
a pink rose in her hands. Her brown hair falls over her 
shoulders. The setting for the figure is a garden, with the 
porch of a house showing at the left, comprising level lawns, 
trimmed shrubbery and distant clumps of trees. In the fore- 
ground, many pink chrysanthemums embower the figure of the 
child. 

Signed at the lower left. 


Property of the Estate of the late Mrs. GerrrupE Cownrn. 


George Henry Smillie, N.A. 
AMERICAN: 1840— 


86—_-MARBLEHEAD NECK, MASSACHUSETTS 
Canvas: Height, 30 inches; length, 45 inches 


THE right foreground is occupied by the ocean’s shore and 
shows a high mass of rocks near the middle of the picture. The 
coast, indeed, is lined with rocks, interesting in form and skil- 
fully depicted, and back of them, at the extreme right, appear 
grass-covered flatlands. On the left the sea is seen surging 
amid the rocks with its wide expanse, above, reaching to the 
upper part of the picture, where the water meets a sky of 
misty white clouds with spaces of blue. A steamer on the 
horizon leaves a trail of smoke and traveling along in the middle 
distance is a submarine showing its deck and periscope. | 


Signed at the lower right, and dated 1911. 


Property of P. H. McManon, Esa. 


Allan Ramsay 
Bririso: 1713—1784 


87—PORTRAIT OF A LORD CHIEF JUSTICE 
Canvas: Height, 40 inches; width, 34 inches 


THREE-QUARTER, life-size, seated figure of a judge in volumi- 
nous white wig and robes of red and ermine, under which are 
seen his coat of brown, waistcoat and belt. In the left hand 
he holds the edge of the robe; the right hand open in an ex- 
pounding gesture. In upper left hand corner a baron’s coronet 
painted on the background. 


Property of Mrs. Benszamin THaw. 


George Romney (Attributed to) 
Britiso: 1734—1802 


88—THE SISTERS 
Canvas: Height, 43 inches; width, 28 inches 


A Grou? of two life-size, three-quarter-length figures of young 
women, one, on the right, with dark hair, in a robe of reddish- 
brown, the other, with light hair, costumed in gray; the heads 
turned to face each other. 


Property of Mrs. Bensamin Tuaw. 


Carlo Maratti 


Irauian (Roman): 1625—1713 


89—_CLAUDIUS CAESAR 


Canvas: Height, 78 inches; width, 58 inches 


AN equestrian figure, somewhat larger than life, in armor, with 
a spear carried on the right shoulder. The figure and gray 
horse are in side view to left. Low horizon and sky in the 
background. 


Inscription at bottom of canvas: ‘Claudius Caesar.” 


From a palace in Rome. 


Property of Mrs. Benszamin THaw. 


Josée Villegas Cordero 
SpanisH: 1848— 
90—THH PAGE 


Canvas: Height, 81 inches; width, 39 inches 


A FULL-LENGTH, life-size figure of a young man with dark 
hair, in a rich costume of crimson velvet trimmed with white 
fur, hose of scarlet for one leg and white for the other, carrying 
under his right arm a cushion with coat-of-arms embroidered 
on it and his left hand resting on one of its upper corners. On 
the left is a marble altar with a huge wax candle resting against 
it; on the right are several figures, kneeling and holding lighted 
candles. Under foot is a carpet of red. 


Signed, on pedestal, at lower left, and dated 1885 in Roman 
numerals, 


From the Henry G. Marquand Sale, New York, 1903. 
Property of a Private Collector. 


Juan Carreno de Miranda 
SpANisH: 1614—1685 


91—CHRISTIANITY VANQUISHING PAGANISM 
Canvas: Height, 89 inches; width, 67 inches 


A STIRRING composition depicting a warrior, on a rearing white 
charger, his costume showing a cloak of dark blue with a crim- 
son girdle, carrying a white banner in his left hand and in his 
right his sword raised high to strike. At the horse’s feet is a 
turbaned pagan, lying on his back, and other figures are intro- 
duced less prominently. In the background is a wide expanse 
of sky. The name of the artist appears on the gold breast- 
strap of the warrior’s charger. 


Property of Mrs. Benzamin Tuaw. 


Hilaire Germain Edgar Degas 
Frencu: 1834— 


92—COLLECTION OF TWENTY LITHOGRAPHS 


20. 


Young woman, nude, kneeling. 

Nude figure, half reclining. Note of blue. 

Young woman, nude, in attitude of tying buskin. Note 
of green. 

Young woman, danseuse, tying buskin. Note of blue. 

Blanchisseuse. 

Danseuse et morceaux. Notes of red, orange and blue. 

Young woman, nude, back view. 

Danseuse in exercises. 

The Bath. 

Study of drapery, standing figure. 

Danseuses a la barre. 

Danseuse at attention. 

Danseuse levant la jambe. 

Study of drapery, figure in back view. 

Jockeys, mounted. 

Danseuse in exercises. 

Seated figure of young woman. Notes of blue and 
pink. 

Female figure in costume of about 1870. 

Half-length portrait of a lady. 

Study of drapery, kneeling figure. 


Property of the Estate of the late Mrs. GertrupDE CownDIn. 


SECOND EVENING’S SALE 


WEDNESDAY, MAY 10, 1916 


IN THE GRAND BALLROOM OF 
THE PLAZA 


Firrn Avenue, 58ruH to 597TH STREET 


BEGINNING PROMPTLY AT 8.15 O'CLOCK 


Jean Francois Raffaelli 
Frencu: 1850— 


983—THE CHURCHYARD 
Panel: Height, 131% inches; width, 91/4 inches 


OvER a wall in the foreground is a view of a churchyard in 
France, with trees shading the greensward. On the right is a 
gray stone church, and other buildings farther away enclose the 
spot. Above is a gray sky with a space of blue. The picture is 
notable for its harmonies of subdued greens and grays. 


Signed at the lower left, and dated °77. 


Purchased at Christie's, London. 


Property of ALEXANDER Morten, Esa. 


EKugene Louis Gabriel Isabey 
Frencu: 1804—1886 


94—TO THE RESCUE 
Water color: Height, 714 inches; length, 12% imches 


Two cavaliers, one in dress of yellow, the other wine-color, 
fighting with rapiers in the narrow street of a French town. A 
third gentleman, a companion of one of the fighters, also clad in 
wine-color, lies dead, or badly wounded, behind the combatants. 


Signed at the lower right, and dated ’67. 


Property of ALEXANDER Morten, Esa. 


George Inness, N.A. 
AMERICAN: 1825—1894 


95—-LATH SUNSET 
Panel: Height, 91/4 inches; length, 12 inches 


In the foreground, at the right, stands a shed, near a pool, and 
from behind the shed a tree lifts up its branches, now in the 
late autumn almost bare of leaves. In the middle portion of 
the composition is a stretch of country, with a white house at the 
left, and beyond are hills, dark blue at the approach of night- 
fall. The sky of warm tints is gradated to blue in the upper 
part and shows some blue-gray clouds which sweep horizontally. 
across it. The picture presents a unified ensemble in quiet 
tones. . | 

Signed at the lower right. 
Property of P. H. McManon, Ese. 


John Francis Murphy, N.A. 
AMERICAN: 18538— 


96—AUTUMN AFTERNOON 


Canvas: Height, 71 inches; length, 14 inches 


In the right foreground is a hillock with trees, bowlders and 
herbage. At the left is a pool and beyond are brown fields and 
a distant belt of trees. The sky is composed of warm-tinted 
white clouds with small spaces of blue in the upper portion. 


Signed at the lower left, and dated ’87. 


Property of CHarues Beers, Esa. 


Ralph Albert Blakelock, N.A. 


AMERICAN: 1847— 
97_-MOON LIGHT 
Panel: Height, 10 inches; width, 614 inches 


Massks of tree foliage, on either side, reaching to the upper part 
of the picture, frame in a vista of landscape with a stream, 
which shows again in the foreground. High up in the sky is 
the full moon. 


Signed at the lower left. 
Property of P. H. McManon, Esa. 


Theodore Robinson 
AMERICAN: 1852——1896 


98—THE HARV EST 
Water color: Height, 91% inches; length, 12°4 inches 


A FRENCH peasant farmer reaping in a grainfield and a woman 
following him binding sheaves. At the right, in the distance, is 
a church embowered in trees, overhead is a sky of grayish blue. 
Restrained notes of color are given by the blues and grays of 
the workers’ dress. 


Signed at the lower left, and dated Barxizon, 1884. 


Property of ALEXANDER Morten, Esa. 


Alexander Hedwig Wyant 
AmeERICAN: 1836—1892 


99—BABY IN A BIRDS NEST 
Painted on copper: Height, 10% inches; width, 81/4 inches 


A curious fantasy, the work of the celebrated landscape 
painter in the earlier period of his career, showing an infant in 
a white dress reposing in a bird’s nest, which is seen amid the 
twigs and leaves of a bush. The details are very carefully 
painted. 

Signed at the lower right, and dated 1870. 


Purchased from American Art Assoctation. 


Property of ALEXANDER MorrTen, Esa. 


Arthur B. Davies 
AMERICAN: 1862— 


100—THE SISTERS 
Canvas: Height, 16 inches; width, 11 mches 


A GrouP of two half-length figures composed of a child with 
heavy dark hair, clad in somber blue, standing beside her taller 
companion, who is blond and is costumed in yellow. 


Signed at the lower right. 


Purchased from the American Art Association. 


Property of ALEXANDER Morten, Esa. 


Charles Melville Dewey, N.A. 
AMERICAN: 1849— 


101—_SUNSET 
Panel: Height, 101% inches; length, 16144 inches 


A. Group of trees and a cottage on a slight eminence, at the 
right; on the left, meadows stretching away to distant, low- 
lying hills. Just at the horizon the sun, its disk a ruddy pink, 
partly obscured by a strip of cloud, is about to sink below the 
hills. Around the sun, as if in a halo, are flecks of gold-edged 
clouds in a sky of qualified blue. 


Signed at the lower left. 
Property of P. H. McManon, Esa. 


Adolf Schreyer 
GERMAN: 1828—1899 


102—ARABS IN THE DESERT 


Canvas: Height, 10%4 inches; length, 14 inches 


A Group of two Arab chieftans and a retainer, with their 
horses. Behind them the desert stretches away to where, in the 
distance, it meets the sky of dark blue with gray clouds. One 
of the chiefs, mounted on a white horse, is in the center of the 
group; on the right is his companion, dismounted, and the fol- 
lower, also dismounted, is seen at the left. 


Signed at the lower left. 
Property of Herman Karz. 


Joseph Mallord William Turner, R.A. 
Bririsu: 1775—1851 


1083—VIEW FROM EHRENBREITSTEIN 


Water color: Height, 81% inches; length, 1234 inches 


A PporTION of one of the ramparts is seen on the left of the 
picture, near a tower on which there is a statue in a niche. A 
monk in white, with black hood, stands below and other small 
figures are seen on the steep incline beyond. Back of the tower 
rises a high hill with a wall, pierced by arched gateways, 
descending its steep sides to the river. An island lies in the 
stream and beyond are mountains. 


From the collection of Ayscough Fawkes, Esq., Farnley Hall, Otley, 
Yorkshire, England, whose remarkable collection of works by 
Turner was sold at Christie's, June 27, 1890. Eahibited at Bur- 
lington House, 1889. 


From the Henry G. Marquand Sale, New York, 1903. 
Property of a Private Collector. 


David Teniers 
Friemisy: 1610—1690 


104A—_THE CASTLE OF PERCK 
Panel: Height, 10 inches; length, 141 inches 


THE castle, of pale brown stone and with slate-roofed turrets, 
appears in the middle portion of the picture with a stable and 
haystack nearby on the left. In the distance are several build- 
ings embowered in trees. In the foreground, a gentleman pro- 
prietor is directing some men who are wading in a pond and 
drawing in a net, one of the men holding up a large fish he has 
pulled out of the water. Sky of gray-blue with clouds massed 
on the right. 

Signed at the lower left, D. Trenters, E. A. 1632. 


By order of an Eaecutria. 


Jan Josephsz van Goyen 
DutcH: 1596—1656 


105—DORDRECHAT FISHERMEN 
Panel: Height, 15 inches; length, 1834 inches 


On the shore of an estuary are six fishermen, in the immediate 
foreground, the crews of two long-boats which they are making 
fast. Across the water, a castle and pier, sailboats and row- 
boats. The sea stretches away at the left to the horizon and 
above is a sky of gray and white clouds with spaces of blue. 
Agreeable, mellow general tone. 


Signed on gunwale of boat at left, and dated 16-7. 


By order of an Executria. 


Theodore Robinson 
AMERICAN: 1852—1896 


106—NEW ENGLAND BROOK 
Canvas: Height, 20 inches; width, 15% inches 


A CHARMING rendition of a simple pastoral subject. A brook, 
with its waters reflecting a pale blue summer sky, flows between 
green hillsides. On the left a tree overhangs the bank. ‘The 
sky is not seen except in some tiny spaces, through the foliage 
at the top of the canvas. The picture is notable for its agree- 
able harmonies of qualified tints of green. 


Signed at the lower left. 
From the William T. Evans Sale, New York. 


Property of ALEXANDER Morten, Esa. 


William Gedney Bunee, N.A. 
AMERICAN: 1840— 


107—_SUNSET 
Panel: Height, 15 inches; length, 24 inches 


Tue foreground consists of a stretch of rolling country, rising 
in a hillock at the left center where a group of trees in autumn 
foliage crowning it are massed against a sky of evening clouds. 
On the right is a range of distant hills, blue and purple in the 
sunset glow. A warm general tone characterizes the picture. 


Signed at the lower left. 
Property of ALEXANDER Morven, Esa. 


Arthur B. Davies 
AMERICAN: 1862— 


108—GIRL WITH THORN IN FOOT 


Canvas: Height, 16 inches; width, 11 inches 


A sEATED figure of a child in dark gray-blue dress, relieved 
with white at the neck and shoulder, bent over and with her — 
right hand feeling her bare foot to locate the prick of a thorn 
or some other injury received in walking. 

Signed at the lower left. 


Property of ALEXANDER Morten, Esa. 


Ralph Albert Blakelock, N.A. 
AMERICAN: 1847— 


109—_LANDSCAPE 
Canvas: Height, 12 inches; length, 22 inches 


A HARMONY of pale browns, ivory white and blue. The fore- 
ground presents a meadow, with a pool at the left, bordered on 
either side by thin-foliaged trees. Beyond, a mass of blue indi- 
cates a group of trees in the distance. Above is a sky, mostly 
clouded in whitish gray, with blue sifting through where the 
veil is less dense. 

Signed at the lower left. 


Property of a New York Collector. 


William Keith 


AMERICAN: CONTEMPORARY 


110—SUNSET 


Canvas: Height, 17°34 inches; length, 22 inches 


A HARMONY of rich, tawny browns, given by meadows and 
foliage in the autumn and of blues, in the distant hills and the 
upper portion of the sky. A pool, reflecting the evening glow, 
makes a note of light in the somber foreground wrapped in 


shadows. 
Signed at the lower left. 


Property of a New York Collector. 


Henry Ward Ranger, N.A. 


AMERICAN: 1858— 
111—MORNING ON THE RIVER OISH 


Water color: Height, 18 inches; length, 24 inches 


Tue foreground is occupied by the waters of an inlet. On the 
shore, near the middle of the picture, is a white house and out- 
buildings with high-pitched red roofs, sheltered by a group of 
tall willows. Beside a punt, at the edge of the water, are the 
figures of a man and a woman, making color notes of red and 
blue, and overhead is a sky of blue mingled with gray clouds. 


Signed at the lower left, and dated ’85. 


Property of Cuaries Beers, Esa. 


Daniel Ridgway Knight 
AMERICAN: 1845— 


112—IN THE FIELDS AT POISSY 
Canvas: Height, 22 inches; width, 18 inches 


In the foreground, at the edge of a field of ripe wheat, dotted 
with red poppies, a French peasant girl is standing as she 1s 
about to take a drink from a water jar which she holds up in 
her hands, pausing for the moment to look at a young man in 
white shirt and straw hat who is seen amid the wheat, at some 
distance on the left. Beyond flows a river and in the distance, 
on the right, is seen the little town of Poissy with its roofs and 
church towers. Overhead is a sky of gray. The girl, clad in 
garments of blue, is an attractive, sturdy person. The young 
man in the picture is Aston Knight, son of the painter, and 
himself now a well-known artist. 

Signed at the lower right. 


Property of P. H. McManoy, Esa. 


Albert Pinkham Ryder, N.A. 
American: 1847— 


113—SMUGGLER'S COVE 


Canvas: Height, 10 inches; length, 28 inches 


On the shore of the sea a vessel is seen on the sands at low tide. 
At the right, at the foot of a hill, is a cottage. Two figures are 
crossing the sands, a man and a woman, with baskets on their 
backs and accompanied by adog. The color scheme of this work 
comprises a general tone of golden yellow accented by browns 
and blacks and by a strip of bluish tint where the expanse of 
the sea stretches across the middle part of the canvas. 


The authenticity of the picture is attested by a letter from the artist. 


From the Cottier Sale. The companion picture to this is in the Metro- 
politan Museum. 


Property of ALEXANDER Morten, Esa. 


Frederick Stuart Church, N.A. 
AMERICAN: 1842— 


114—THE DANCE 
Canvas: Height, 26 inches; width, 23 inches 


ON the green grass in a nook of the woods, trees forming a 
background with a bit of blue sky and white clouds at the upper 
right, a young girl with auburn hair is tripping a measure with 
a brown bear as her partner. Clad in a light garment of yellow- 
white and her tresses flying loose, she holds up in her ‘hands a 
garland of pink flowers and green leaves, the other end of which 
is held by the bear in his uplifted right paw. 


Signed at the lower right, and dated 1914. 


Property of P. H. McManon, Esa. 


Albert Pinkham Ryder, N.A. 
AMERICAN: 1847— 


115—HUNTERS REST 
Canvas: Height, 14 inches; length, 24 inches 


- In a woodland setting, under spreading branches, a hunter is 
seen seated at the foot of a tree with his three dogs. His chest- 
nut horse, standing in side view, in the immediate foreground 
forms the principal object of interest in the composition. The 
color scheme is one of subdued low tones, the branches and 
overhanging foliage making dark patterns against a sky of 
tempered blue, and the blue note is repeated with but slight 
insistence in a pond in the middle distance. 


The authenticity of the picture is attested by a letter from the artist. 


Property of ALEXANDER Morten, Ese. 


Childe Hassam, N.A. 
AMERICAN: 1859— 


116—FIKFTH AVENUE AT FIFTY-SIXTH STREET 
Canvas: Height, 24 inches; width, 20 inches 


A view of Fifth avenue in early summer, looking south from 
the westerly corner of Fifty-sixth street, where formerly there 
was a florist’s shop. Farther down on the west side are the 
trees in the old St. Luke’s Hospital garden. On the left of 
the picture the buildings on the east side of the avenue stretch 
away in perspective with the spires of St. Patrick’s Cathedral 
reaching up to the top of the canvas. The scene is enlivened by 
numerous figures on the sidewalk, a street cleaner in white, and 
a bus and cabs in the roadway. ‘The morning sun illumines the 
upper part of the buildings on the left and the Cathedral spires. 


Signed at the lower right, and dated 1900. 


Property of ALEXANDER Morten, Ese. 


Homer D. Martin, N.A. 
AMERICAN: 1836—1897 


117—THE WATERFALL 
Canvas: Height, 284 inches; width, 20 inches 


From behind a cliff, which appears on the left with trees grow- 
ing from the top and foliage hanging in the upper part of the 
picture, a stream falls into a pool that fills the foreground. 'The 
picture is painted in oil and rehaussé with gilt, especially where 
it is spread over the light mass in the upper part of the canvas. 


From Messrs. Cottier & Co., New York. 
Purchased from American Art Association. 


Property of ALEXANDER Morten, Esa. 


George Herbert McCord, A.N.A. 
American: 1840—1909 


118—DUTCH LUGGERS 


Canvas: Height, 24 inches; length, 27 inches 


A Group of broad beamed, heavily built fishing boats with sails 
of red, yellow and gray, form a mass of strong color in the 
middle of the picture, with the tints reflected in the water. ‘This 
is set off and made still more effective by a sky of deep blue with 


rosy-tinted clouds. | 
Signed at the lower left. 


Property of P. H. McManoy, Esa. 


Ralph Albert Blakelock, N.A. 
AMERICAN: 1847— 


119—LANDSCAPE 


Canvas: Height, 20 inches; length, 30 imches 


Tue placid surface of a wide river fills the middle of the pic- 
ture. On right and left, in foreground, are trees and shrubbery 
in autumn foliage. The sky is composed of great masses of 
warm-tinted white and gray clouds with spaces of blue above. 


Property of Mrs. Bensamin THaw. 


Ralph Albert Blakelock, N.A. 
AMERICAN: 184'7— 


120—LANDSCAPE WITH CASCADE 
Canvas: Height, 25 ches; length, 30 inches 


AN impressive composition, showing a stream in the right fore- 
ground which flows from higher levels in the middle distance 
and falls in a little cascade as it pursues its course. ‘Trees rise 
against the sky, on the right, and in the distance, near the left 
center of the picture, 1s a note of blue given by a range of hills. 
The sky, of mingled pearl and yellow below, grades upward 
into blue, and in all of the upper portion gray, white-edged 
clouds are seen drifting as they are swept by the winds. 


Signed at the lower center. 


Property of a New York Collector. 


Frank Knox Morton Rehn, N.A. 
AMERICAN: 1848—1915 


121_MASSACHUSETTS COAST 
Canvas: Height, 30 inches; width, 25 inches 


A HIGH cliff with great overhanging masses of rock, about 
which white sea gulls are flying, rises on the left nearly to the 
top of the picture. At the base of these rugged shores, which 
are seen extending to the distant horizon, the waves of the ocean 
are breaking into spray. At the right, well out to sea, are some 
sailing vessels and overhead is a sky of gray clouds with light 
breaking through in the lower portion. 


Signed at the lower right, and dated 1875 and 1879. 
Property of P. H. McMauon, Esa. 


John H. Twachtman 
AMERICAN: 1858—1902 


122—REFLECTIONS 


Canvas: 30 inches square 


A sTREAM, which fills the foreground, is traversed by a timber 
construction, one section of it roofed, which may be a boat 
dock. Across the middle of the canvas is the shore surmounted 
by a line of trees stretching away to the right with even tops. 
The hillocks of the shore, the foliage and the yellow gray of the 
pier, or dock, as well as the blue of a misty sky are reflected in 
the waters which lap the dock and eddy around one corner of the 


structure. 
Signed at the lower right. 
Property of ALEXANDER Morten, Esa. 


Childe Hassam, N.A. 
AmeErIcAN: 1859— 


123—M AIDS IN MIST 


Canvas: 82 inches square 


Ow the shores of the sea, with massive rock formations and 
herbage filling the foreground, are three nude figures of young 
women. ‘The one nearest the spectator is seen seated, in back 
view, on the rocks, high above the water. In the upper half of 
the composition the expanse of the ocean, with a rocky reef or 
two, lies under a misty atmosphere. 


Signed at the lower left. 
Formerly the property of the late Stanford White. 
Purchased from the American Art Association. 


Property of ALEXANDER Morten, Esa. 


Robert Reid; N.A. 
AMERICAN: 1863— 


124—Ad WINTER LANDSCAPE 


Canvas: Height, 30 inches; width, 25 inches 


In the foreground is a hillside with bare trees reaching up to 
the top of the canvas while beyond is seen a stretch of rolling 
country covered with snow. Ina valley, which lies in the middle 
distance, is a building with a cupola. Tints of lilac and yellow 
gray are in quiet contrast with tempered whites throughout the 
picture. 

Signed at the lower right. 


Property of ALEXANDER Morten, Esa. 


Frans Hals 
Dutcu: 1584—1666 


125—PORTRAIT OF A PROFESSOR 
Canvas: Height, 27 inches; width, 211 inches 


A NEARLY half-length, life-size portrait of a man with dark hair 
and beard, wearing a white ruff; holding a book in left hand and 
the right hand raised in an expounding gesture. 


Signed with the monogram of the artist and date 1637, 
with age of the subject, 48 years. 


Purchased in New York in the early °80’s among a lot of pictures 
which, since Colonial times, had been in the town of Schenectady, 


N. Y. 


By order of an Executria. 


Rosa Bonheur 
Frencu: 1822—1899 


126—A TEAM OF OXEN 
Canvas: Height, 2124 inches; length, 33 inches 


A pair of red-coated oxen in side view, heads to the left, hitched 
to a primitive wooden plow, and standing in a flat plain which 
stretches away to hilly country with cone-shaped mounds. ‘The 
sky is of blue with horizontal clouds of gray and white. 


Signed at the lower left. 
Property of a Private Collector. 


Henry Moret 


FRENCH 


(Son-in-law of M. Claude Monet and recently deceased) 


127—ROCKS AND SEA 
Canvas: Height, 211% inches; length, 2534 inches 


In the lower part of the picture, on the right, is a headland with 
an upstanding rock at its extremity; on the left, three rocks 
with surfaces at the level of the sea. Above, the blue waters of 
the ocean extend to a horizon, placed high in the composition, 
where there is a strip of sky. A sloop is seen in the middle dis- 
tance and in the offing a steamer is passing with its trail of 
smoke. The picture is characterized throughout by brilliant 
color effects of blue, green and tawny orange and brown. 


Signed at the lower right, and dated 96. 


Purchased from Durand-Ruel. 


Property of ALEXANDER Morten, Esa. 


Gustave Courbet 
Frencu: 1819—1878 


128—STAGS DRINKING 
Canvas: Height, 291 inches; length, 36 inches 


BETWEEN great rocky hills, through a notch in the center of the 
picture, a stream comes tumbling over bowlders and spreads 
out in the level spaces of the foreground. A stag, on a rock at 
the base of the falls, lifts his head to swallow after dipping his 
muzzle in the stream, and another, at the left, is approaching 
the shallow waters in the foreground to join his companion in 
slaking his thirst. Above the cliffs, which on the left are 
crowned with trees, is a sky of white and blue. 


Signed at the lower left. 


‘Property of ALEXANDER Morten, Esa. 


Thomas Gainsborough, R.A. 
Bririsu: 1727—1788 


129-THEH CARRIERS CART 
Canvas: Height, 30 inches; width, 24% inches 


A. CARRIER’S cart, canvas-hooded and drawn by a chestnut and a 
white horse, is seen returning homeward, at evening, on a nar- 
row road which comes around from behind a rocky bank on the 
right, and overarched by an ash tree on the farther side. The 
general tone of the landscape presents mingled tints of mellow 
brown while the sky is in pleasing contrast with its expanse of 
gray-blue and masses of gray and white clouds. 


Property of a Private Collector. 


John Russell 


Earuy British ScHOOL 


130—LADY AND CHILD 


Canvas: Height, 35 inches; width, 28 inches 


Portrait, in oval, half life-size, in side view, of a lady wearing 
a large brimmed leghorn hat, trimmed with white silk and rib- 
bon, under which are seen her ight brown curls, and a cloak of 
yellow, trimmed with ermine, holding up a baby in white dress 


and cap. 


Property of Mrs. Bensamin THAw. 


John Opie 
British: 1761—1807 


131—A VILLAGE MAIDEN 
Canvas: Height, 3514 inches; width, 28 mches 


A THREE-QUARTER, life-size picture of a pretty young gil, 
with brown hair framing her face and a straw hat set on the back 
of her head; short sleeved dress and cape of reddish brown, and 
her arms crossed before her. The right elbow rests on a wall, 
where there is a basket filled with grapes and peaches. The 
background consists of a landscape with low horizon and gray- 
blue sky. 


Property of a Private Collector. 


Sir Joshua Reynolds, P.R.A. 
Bririsu: 1723—1792 


132—THE COUNTESS OF NOTTINGHAM 
Canvas: Height, 30 inches; width, 2534 inches 


A. HALF-LENGTH portrait in side view of an aristocratic looking 
young matron, with blond hair dressed high with a gold em- 
broidered veil, blue gown with ermine border, and wine colored 
drapery over her right arm. Harmonious general tone in clear 
tints. 


Property of a Private Collector. 


Sir Thomas Lawrenee, P.R.A. 
Britisu: 1769—1830 


1383—PORTRAIT OF MISS M. SIDDONS 
Canvas: Height, 30 inches; width, 25 inches 


A. HALF-LENGTH portrait of a young woman in white low-neck 
dress with short sleeves and a red shawl over her right shoulder 
and arm, leaning on a balustrade; the body in three-quarter 
view and the head turned to the right, showing nearly full face; 
brown hair with ringlets on the forehead. 


Property of a Private Collector. 


William Hogarth 
Britisu: 1697—1764 


134 _ COLONEL CHARLES HOWARD 
Canvas: Height, 30 inches; width, 2434 aye, 


A HALF-LENGTH portrait of a gentleman in full powdered wig, 
wearing a coat and waistcoat of greenish blue and white shirt, 
with black ribbon pendant at neck. The head turned slightly 
to right. 


Coat-of-arms painted in left upper corner and below it the inscription: 
“Charles Howard, Esqr., Collonel of a Regiment of Foot &cc. 1788— 
second son to Charles, third Earl of Carlisle.” 


By order of an Executriaz. 


Cuaackns Elowaan 
» Rucimene oF 


S ‘ ARLES 


be 284, 


Charles Lebrun 
Frencu: 1619—1690 


135—MADEMOISELLE DE LA VALLIERE 
Canvas: Height, 30 inches; width, 25 inches 


A HALF-LENGTH, life size, seated figure, portraying in full face 
view the features of the brunette beauty, Mademoiselle Louise 
de la Valliére. Her hair falls in curls on either side of her face 
with a ringlet or two at the temples and she is dressed in a beau- 
tiful gown of the Louis Quatorze period, in which she was re- 
nowned as the young king’s first favorite, the material being 
blue and gold and the trimming of fine lace. The head is rest- 
ing, slightly inclined to the right, on her left hand, and in her 
right hand she is holding a bunch of flowers. The background 
is composed of foliage, a pillar and a blue sky. 


Property of a Private Collector. 


John Crome 
(OLD CROME) 


Bririsu: 1768—1821 


136—LANDSCAPE WITH RUINED CHURCH 


Canvas: Height, 30 inches; width, 25 inches 


IN the center of the composition on rising ground, where a road 
passes through the fore part of the landscape into the middle 
distance, on the right, are the gray ruins of a church. A cottage 
has been built against the crumbling walls and the buildings 
are embowered in a mass of great trees. Ducks are swimming 
in a pool in the right foreground and a woman with a donkey is 
seen making her way in the direction of a farmhouse with a tall 
red chimney that appears among the trees in the distance. The 
sky is of pale blue-gray with great cumulus clouds. 


Signed at the lower left, J. Crome. 


Property of a Private Collector. 


- 


MERICAN PICTURES 


INTRODUCTION TO THE AMERICAN 
PICTURES 


This small collection, chiefly portraits, of American art 
that I have been invited to catalogue, is significant of the pres- 
ent trend of museums and individual collectors to secure good 
examples of the works of our best painters of the past as well 
as of the present, which is emphasized on the commercial side 
by the large sums that have been paid recently for such works 
in comparison with the prices of a decade and a score of years 
ago. ‘These prices are important, too, as indicating that fine 
works by our dead and gone painters are becoming each year 
more difficult to find, so that their prices show in many in- 
stances their rarity as well as their merit. It therefore behooves 
especially the museums of this country, in whose collections 
there should be examples of every American painter of repute, 
not to allow the rarely occurring occasions for securing such 
works to pass by. In the long and honorable career of the 
American Art Association this is the first time that it has had 
the opportunity to offer to its patrons a collection of paintings 
by American painters such as is presented in this catalogue, 
wherein will be found fine examples of the two British-Amer- 
ican painters, Copley and West, each .represented by an 
English picture, it is true, but the atmosphere of the land of 
their birth hovers about their works no matter where they were 
executed. 

Of those born on the other side of ocean, but wholly 
American in their art, there are interesting examples of John 
Wesley Jarvis, Charles Cromwell Ingham, and of Thomas 
Sully, the latter represented by five canvases covering a span 
of fifty-six years, 1807 to 1863, the earliest being one of his 
very best portraits. American by birth and in their art, there 
is a delightful portrait by Washington Allston, whose works, 
especially in portraiture, are seldom procurable; a beautiful 


portrait of Mary Fairlie, “the toast of the town” in New York 
when Washington Irving was a young man, by William Dun- 
lap, artist, author and actor, who proved the fallacy of the 
proverb, “Jack of all trades master of none’; an artificial 
landscape by Alvan Fisher, which is beautiful in tone and 
color, if not painted in the open air from the scene before 
him; three gems in genre from the easel of Henry Inman, 
who was a master in whatever department of art he essayed 
to paint; a superlatively good head by Charles Willson 
Peale, who has been called the Doyen of American painters, 
of some Revolutionary worthy whose name has not come 
down with his portrait, which points again to the impera- 
tive obligation upon every one, artist and layman, to affix the 
name of the subject of a portrait imperishably to the canvas, 
with its date and name of painter; an interesting head by the 
patrician Col. John Trumbull; a Lawrence-like portrait of a 
_ handsome man by “Kentucky” West, the painter of the well- 
known portrait of Lord Byron; a characteristic presentation 
of an old lady by the little known Henry Williams, who, this 
canvas will show, should be better known; and other works by 
Francis Alexander, Anson Dickinson, G. P. A. Healy, East- 
man Johnson, Rembrandt Peale, T. P.. Rossiter and Samuel 
L. Waldo. This is no mean array, while it does seem some- 
thing like the play of “Hamlet” with the Prince of Denmark 
left out not to have one of those patents of American nobility, 
-a fine Stuart portrait, every day becoming more difficult to 
obtain. But this is a welcome beginning, and the very gather- 
ing of them shows that our intelligent and discriminating col- 
lectors are turning their attention to these works, which is not 
only patriotic, but shows appreciation of good work and not 
only good names. 
Cuartes Henry Hart. 


New York, April 18, 1916. 


Benjamin West. P.R.A. 
AMERICAN: 1738—1820 


137—THE FIRST INTERVIEW OF 
TELEMACHUS WITH CALYPSO 


Canvas: Height, 40 inches; width, 52 inches 


TELEMACHUS, accompanied by Mentor, approaches Calypso, 
who advances to meet them followed by groups of her hand- 
maidens. ‘he storm-beaten sea washes upon the shore of her 
isle of Ogygia, which is illumined by the sun breaking through 
the clouds. 


This canvas was exhibited at the Royal Academy in 1773, with the 
title here given it, against which in the catalogue Horace Walpole 
wrote: **All good but the trees.” This criticism is rather strained, for 
while the trees are conventional they are well rendered and the whole 
is an excellent composition, the figures graceful, well drawn and sound 
in color. Evidently West retained the painting, for in the sale catalogue 
of his pictures, in 1829, after his death, it is “Lot 40” with a slightly 
changed title and this comment, ‘The scene is romantic and highly 
poetic in sentiment. The incidental light, from the bursting sunbeam 
through the storm, creates a magical effect. The waves roll in shore 
with a motion perfectly illusive.”” West, like Copley, always lived under 
the British crown and became the second President of the Royal 
Academy of Arts on the death of Sir Joshua Reynolds, in 1792. 


Signed in right hand corner, B. West, 1772. 


Property of Mrs. Bensamin 'THAw. 


Unknown Artist 


1388—PORTRAIT OF GENERAL JAMES WOLKE 
Canvas: Height, 30 inches; width, 25 inches 


HALr-LENGTH, three-quarters to left, of young man with red 
hair and blue-gray eyes, in the uniform of a British officer, red 
coat embroidered in gold down the front, buff vest, white jabot 
and white leather band arcoss breast over right shoulder, black 
Wolfe hat edged with gold lace. Background, light blue with a 
battle scene on the right and the Heights of Abraham in the 
distance. AES | 


This appears to be a contemporary painting but not American, and 
is undoubtedly intended for a portrait of the hero of Quebec, but of 
course could not have been painted until after Wolfe’s death, or the 
scene of where he died could not have been introduced into the picture. 
The only question is whether it is a copy of a life portrait or just an 
imaginary one, as most of Wolfe’s portraits unfortunately are. On 
this interesting subject, vide Paul Leicester Ford’s discussion in Cen- 
tury Magazine for January, 1898. 


Property of Mrs. Bensamin Tuaw. 


Charles Cromwell Ingham 
AMERICAN: 1796—1868 


189—PORTRAIT OF “C. T. PICKERING” 
Canvas: Height, 36 inches; width, 30 inches 


HAL¥F-LENGTH three-quarter to left, of a middle-aged man 
seated out-doors in a beautiful landscape, holding top hat in 
left hand; black overcoat, white standing collar, neckcloth and 
frilled shirt front, dark hair, brown eyes and ruddy skin. 


Ingham was an Irishman who came to New York on attaining his 
majority and became one of the founders of the National Academy 
of Design. This is a characteristic example of his early painting 
of male portraits, such as Lafayette and De Witt Clinton, but he 
changed his manner and became the fashionable female portraitist 
of his time. These later portraits are very artificial, highly finished 
and vividly colored. The name given to the subject is written upon 
the back of the frame. 


Property of Mrs. Bensamin TuHaw. 


John Singleton Copley 
American: 1737—1815 


140—PORTRAIT OF A BRITISH OFFICER 
Canvas: Height, 30 inches; width, 25 mches 


HALF-LENGTH of young man to right in scarlet uniform, with 
blue collar and revers, gold epaluettes, gorget initialed “G. R.” 
hung below coat opening, dark stock and white frilled shirt- 
front, gold-hilted sword held under right arm, with light eyes, 
reddish hair brought down over forehead, and side whiskers. To 
right, on table, military hat with large star on side, above a 
rosette, holding a straight tall white feather. Background, 
open-air. 

Although Copley left this country in 1774 and ever after resided in 
London, so that he always lived under the British crown, he is uni- 
versally classed an American painter for the good reason that, as well 
as his American birth, his best works were painted here. The present 
example, loosely and brilliantly painted, belongs to his latest period, 
of which it is a fine example and must have been executed only a short 
time before his death. 


Property of Mrs. Bensamin TuHaw. 


Charles Willson Peale 
AMERICAN: 1741—1827 


141—PORTRAIT OF A MAN 
Canvas: Height, 30 inches; width, 25 inches 


HaLr-LENGTH, seated, nearly full face to right of a middle- 
aged man with right hand over back of chair covered with 
green and studded around edge with brass nails, in dark blue 
high-cut coat and vest, with white turn-over collar and neck- 
cloth, sandy hair cropped in front and long behind, and blue 
eyes. Background, dark blue. 


This is an unusually good example of Peale’s best manner and doubt- 
less was painted not later than 1780. It is an extremely interesting 
portrait and the subject is doubtless an important historical personage 
of the time whose identity can likely be established. Were Peale’s 
portraits always painted with as much skill and attention as this one, 
his work would not be thought of as lightly as it is. 


Property of Mrs. Benzamin TuHaw. 


John Trumbull 
AMERICAN: 1756—1843 


142—PORTRAIT OF A MAN 
Canvas: Height, 24 inches; width, 191% inches 


Bust of middle-aged man to right in black buttoned coat, white 
neckcloth, hight eyes and brown thin hair over forehead, long 
and thin at back of head and short side-whiskers. 


This portrait bears considerable resemblance to the portrait of Caleb 
Strong, Governor of Massachusetts, when a much older man, but from 
the period of the costume, which is later than Strong’s, cannot be of 
him at an earlier date. It is beautifully drawn and modeled in Trum- 
bull’s manner of the second decade of the last century, but the color 
has suffered from time and cleaning. 


Property of Mrs. Bensamin TuHaw. 


Charles Willson Peale 
AMERICAN: 1741—1827 


143—PORTRAIT OF A MAN 


Panel: Height, 20 inches; width, 16 inches 


Heap and shoulders to left of a comparatively young man, in 
dark coat and ruffled shirt-front, dark hair and blue eyes. 


A firmly modeled head with an earnest face, that was exhibited during 
the Hudson-Fulton Celebration at the Brooklyn Institute of Arts and 
Sciences by its former owner, Col. Henry T. Chapman, as a portrait 
of Robert Fulton painted by himself. A comparison of the two 
portraits in this collection by Peale will exhibit the vast difference in 
apparent manner of a painting on canvas and a painting on wood. 


Property of Mrs. Benzamin THaAw. 


William Dunlap, N.A. 
American: 1766—1839 


144—PORTRAIT OF MRS. THOMAS A. COOPER 
Canvas: Height, 30 inches; width, 20 wmches 


HALF-LENGTH, three-quarters to right, of young woman in 
white muslin frock, red India shaw] high in neck, gathered over 
left arm, showing fingers of hand, fair hair and blue eyes. 
Background a red curtain with distant view of water to extreme 
right. 

Mrs. Cooper was the daughter of Major James Fairlie, a noted wit, 
and granddaughter of Chief Justice Yates of New York. As Mary 
Fairlie she was the most beautiful and brilliant belle of her time in this 
city, being the Sophie Sparkle of Washington Irving’s “‘Salmagundi,” 
and on June 11, 1812, married Thomas A. Cooper, the distinguished 
actor (No. 147). Their daughter, Priscilla, married Robert Tyler, 
son of the President, and for three years presided over the White 
House. This is a very good example of the portrait work of the 
American Vasari, as Dunlap has been aptly called, for while his 
“History of the Arts of Design in the United States” is crowded with 
errors and mistakes, it is all that we have. 


Property of Mrs. Bensamin Tuaw. 


Rembrandt Peale, N.A. 
AMERICAN: 1778—1860 


145—PORTRAIT OF DE WITT CLINTON 
Canvas: Height, 30 inches; width, 25 inches 


Bust, nearly full front to left of elderly man in buttoned dark 
coat, white neckcloth and frill. Background, sky with rows of 
poplar trees on right and on left. 


Rembrandt Peale painted several of these portraits of Governor Clinton 
in his usual perfunctory manner. 


Property of Mrs. Benzamin THaw. 


Washington Allston 
American: 1779—1843 


146—PORTRAIT OF A MAN 
Panel: Height, 241% inches; width, 20 inches 


Bust, nearly full to left of a middle-aged man in double- 
breasted blue coat with gilt buttons, white neckcloth, and gold 
pin in shirt-front, brown hair brushed up over temples, and side 
whiskers. Background neutral. | 

A fine example of this notable painter at his best, drawn a little smaller 
than life, as was Allston’s custom. The background is beautifully 


treated to give atmosphere to the head. Works by Allston are rarely 
met with, especially in portraiture. 


Property of Mrs. Benzamin Tuaw. 


John Wesley Jarvis 
American: 1780—1839 


147—PORTRAIT OF THOMAS A. COOPER 
Panel: Height, 36 mches; width, 24 inches 


HALF-LENGTH seated full face to front, of middle-aged man in 
black coat, holding book in left hand resting over arm of chair 
with right hand held out in the attitude of declamation, in black 
coat, white neckerchief and frilled shirt-front, dark hair and 
blue eyes. Background, neutral with curtain to left. 


Thomas A. Cooper, the husband of No. 144, was one of the most noted 
actors ever on the American stage, and exceeded every other actor in 
his personal accomplishments. With a singularly handsome and ex- 
pressive face and noble person, fine, mellow voice, unusual dignity of 
manner and grace of action, forcible and eloquent in his declamation, 
he was without a peer as a tragedian. He died April 21, 1849, at the 
age of seventy-three years. This superb portrait of him exhibits all the 
characteristics of the man and is an unusually fine example of Jarvis at 
his best, whose eccentricities and convivial habits make the quality of his 
portraits very unequal, running the whole gamut from extremely bad to 
exceedingly good. 


Property of Mrs. Bensamin TuHaw. 


Rembrandt Peale, N.A. 
AmERICAN: 1778—1860 


148—PORTRAIT OF AN AMERICAN OFFICER 
Bed-ticking: Height, 29 inches; width, 25 inches 


Bust to front of middle-aged man in uniform of a Major-Gen- 
eral, blue double-breasted coat with gilt buttons, buff collar and 
revers to coat, gold epaulettes with two stars on each, white 
neckcloth and frilled shirt-front, dark hair and eyes. Back- 
ground, dark and opaue. 

This portrait is a curious problem, with its modern face and wearing 
of the hair coupled with the continental uniform. The initials 


“C. W. P.,” for Charles Willson Peale, in upper left corner are not 
the signature of the painter of the picture, but have doubtless been 


added on a guess as to the painter, the picture being known as “a 


Peale.”’ 


Property of Mrs. Benzamin Tuaw. 


Anson Dickinson 
AMERICAN: 1780—1847 


149—PORTRAIT OF A WOMAN 
Canvas: Height, 29 inches; width, 231% inches 


HAL¥F-LENGTH to left, seated in a Windsor-chair, of middle- 
aged woman in lace cap, reddish brown gown, cut surplice with 
thin white neckerchief crossed underneath and an umber-col- 
ored shawl over her arms, drawn up to show right hand, light 
brown hair, blue eyes and gold earrings. 


This painter is better known for his miniatures than for his portraits 
in oil, and this example shows the manner of a painter in little. It is 
a pleasant portrait, with animation and character, and has the suf- 
fused pink hue that was notable in all of Dickinson’s work whether on 
ivory or on canvas. 


Property of Mrs. Benzamin Tuaw. 


Henry Williams 
AMERICAN: 1787—1830 


150—PORTRAIT OF AN OLD LADY 
Canvas: Height, 36 inches; width, 29 inches 


HALF-LENGTH of an old lady seated to left in red chair at table 
with green cloth, an open book, bound in red with gilt edges, be- 
fore her, a leaf of which she is turning with her right hand while 
she holds her glasses in her left hand. An oldtime frilled cap 
surrounds her strongly lined face, a white neckerchief about her 
neck, a black velvet gown with a neutral blue fringed shawl em- 
broidered in black over her shoulders. Background neutral. 


Henry Williams was a Massachusetts man and his portraits are chiefly 
seen there. This example shows that he could paint very good char- 
acter portraits and his later works show the Stuart influence plainly. 


Property of Mrs. Bensamin THaw. 


Thomas Sully 
AMERICAN: 1788—1872 


151—PORTRAIT OF MISS CAMPBELL 
Millboard: Height, 24 mches; width, 20 inches 


Heap full to front of young woman with brown ringlets. 


This is one of “Sully’s pretty portraits of women” for which he was 
better known than for his more serious work. It is entered in his 


Register, No. 265, as ‘‘Miss Camel of Charleston, S. C. (Campbell)” 


Signed, T.S. (monogram) 1842. 


Property of Mrs. Benzamin Tuaw. 


soot Rewsbaiak ates 


Thomas Sully 
AMERICAN: 1783—1872 


152—PORTRAIT OF JOHN HOGG 
Canvas: Height, 27 inches; width, 221% inches 


Bust to right, eyes to left of a young man, in brown coat, tan 
waistcoat, white neckerchief, soft shirt-front, carelessly ar- 
ranged brown hair and brown eyes. Background, column to 
left, with sunset effect in distance. 


This beautiful portrait is entered in Sully’s Register (No. 769), under 
the year 1807, “Mr. Hogg, formerly of the theatre.” John Hogg made 
his début in a musical play and was a dead failure. Subsequently he 
made his mark in the line of honest, bluff, blunt old countrymen, and in 
other comic parts, but he left the stage and opened a public house, where 
he was commonly known as *“‘Honest Old Hogg.” He died in New York, 
February 14, 1813, at the age of forty-three, so that he was thirty- 
seven years old when Sully painted this portrait, which will preserve 
Hogg’s name for generations. It possesses every quality that goes to 
make a great portrait, an interesting and picturesque subject, skilfully 
and artistically handled, fine in color and tone, firm in execution. The 
opportunity is not often presented to secure so exceptionally fine a 
work of Sully’s first and best period. 


Property of Mrs. Bensamin Tuaw. 


PA. ACADEMY BUYS GREAT SULLY. 


The striking portrait of John Hogg, an 
old New York actor and publican, by Thos, 
Sully, in the collection of Mrs. Benjamin 
Thaw, and which many critics consider one | 
of the best works of the artist, and certainly 
his best man’s portrait, announced as sold 
at the second session of the combination 
picture sale in the Plaza Ballroom last week 
—to Mr. Otto Bernet, as agent—was really 
purchased by the Pa. Academy. The canvas 
brought the record price, $2,550, at auction, 
for an example of Sully. << C4 


Thomas Sully 
AMERICAN: 1783—1872 


153—PORTRAIT OF A YOUNG MAN 
Canvas: Height, 24 inches; width, 20 inches 


Heap to right of young man with long disheveled hair; shoul- 
ders to left. 


An unfinished sketch of a pose for an artist or a poet. 


Property of Mrs. Bensamin Tuaw. 


Thomas Sully 
AMERICAN: 1783—1872 


154—PRAYER 
Canvas: Height, 24 inches; width, 20 inches 


Bust nearly in profile of young woman to left, head tilted back, 
eyes and clasped hands unlifted in the act of prayer, pinkish 
gown, auburn hair and blue eyes. 

The original canvas is inscribed on back: ‘*T.S. (in monogram) 1854. 
My daughter Rosalie at the age of 18.” This, however, has been cov- 
ered by relining, but the inscription has been copied on new canvas. 
The canvas is not in the Sully register for 1854 nor is it under the year 
1836 when Rosalie Sully was at the age of eighteen. 


Property of Mrs. Benzamin THaw. 


Thomas Sully 
American: 1783—1872 


155—_CINDERELLA 
Canvas: Height, 51 inches; width, 58 inches 


A youne girl, in ashes-of-roses gown, on the floor at whole 
length playing with a kitten, in the kitchen, with fireplace, 
crane and big iron pot in the rear to left, while through a door- 
day on the right the two sisters are seen dressing for the ball 
as in the Fairy tale. 


This canvas has been much admired by lovers of story-telling pictures. 


Signed in front, “T.S. (monogram) 1863.” 


Property of Mrs. Benzamin Taw. 


Samuel L. Waldo, A.N.A. 
American: 1783—1861 


156—PORTRAIT OF A MAN 
Canvas: Height, 30 inches; width, 25 inches 


HA.L¥-LENGTH of elderly man to left, seated in red chair holding 
in left hand a newspaper upon which the letters “DAIL ER” 
appear, right hand over left, in black coat and vest, standing 
soft white collar and white neckcloth in bow, frilled shirt-front, 
dark hair brushed up, small side-whiskers and blue eyes. Back- 
ground neutral, with red damask curtain to left. 


Waldo studied with Benjamin West, and on returning took up his 
residence in New York, painting many very good portraits until he 
formed a partnership with William Jewett, when the work turned out 
by the firm was far inferior to the portraits painted by Waldo alone. 
This is an excellent portrait, replete with character and expression. 


Property of Mrs. Benzamin Tuaw. 


William Edward West 
AMERICAN: 1788—1857 


157—PORTRAIT OF A MAN 
Canvas: Height, 30 inches; width, 25 mches 


Busr of middle-aged man, body full front, head three-quarters 
to right, seated with left arm over back of painted chair, in dark 
blue coat, white neckerchief and white frilled shirt-front, dark 
breezy hair, side-whiskers and hazel eyes. 

This painter is familiarly known as “Kentucky West,” but he is be- 
lieved to be of the same family as Benjamin West. He had instruc- 
tion from Sully, went abroad and made a name for himself by painting 
the portrait of Lord Byron and later one of Shelley. He was an ex- 
tremely accomplished artist and some of his portraits masquerade 
as by Lawrence. The present is an interesting example of his manner. 


Property of Mrs. Benzamin THaw. 


John Neagle 
AmeErIcAan: 1796—1865 


158—PORTRAIT OF MRS. SAMUEL BLODGET 
Canvas: Height, 20 inches; width, 18 inches 


Heap to right of young woman with brown hair and white tur- 
ban. Background sketchy. | 


This is a copy of one of the heads from an unfinished sketch by Gilbert 
Stuart of a picture he began of Mrs. Blodget and daughter, which was 
in Mr. Neagle’s studio for many years as President of the Artists’ Fund 
Society of Philadelphia, to which the canvas belonged. It is interesting 
as a combination of Stuart and Neagle, but does not, of course, show 
what a superlatively good painter Neagle was. 


Property of Mrs. Benzamin TuHaw. 


Henry Inman, N.A. 
AMERICAN: 1801—1846 


159—_MOTHER AND SON 


Canvas: Height, 23 inches; width, 16 inches 


MorHER seated whole-length to right, out-doors in a garden 
with son standing to her left beside stone balustrade surmounted 
with a flower urn. ‘The quaint costumes of circa 1830 are de- 
liciously rendered. Her black silk gown, the pride of every 
“lady” of her period, and the greenish shaw] with scarlet border, 
place her in her social plane. A poke bonnet with long stream- 
ers, out of which hang long dark curls, and white kid gloves 
complete her costume. The boy is in black dress with knee 
breeches, white stockings and large straw hat. Background, a 
great overhanging tree with landscape in left distance. 

This very charming composition, although doubtless portraiture, be- 
longs more to the class of genre pictures in which Henry Inman excelled, 
his “Mumble the Peg,” “Newsboy” and “Early Days of Washington” 
being noteworthy and well known subjects. It is beautifully painted 
and possesses all those subtle attractions that specially seem to belong 


to Inman’s best work. 


Property of Mrs. Bensamin THaw. 


Henry Inman, N.A. 
American: 1801—1846 


160—MOTHER AND DAUGHTER 
Canvas: Height, 26 inches; width, 181% inches 


Younec woman to right, seated in a large high-back carved chair 
covered in red, wearing a green silk skirt, white low-neck waist 
with puffed sleeves, dark hair in ringlets and brown eyes. The 
girl leans against knee of her mother, who holds one hand while 
the other is placed on the child’s shoulder, wears a white low- 
neck frock and has fair hair and blue eyes. The setting is a hall 
with a large window through which are seen trees and the moon 
peeping through the clouds, and on the wall is shown the corner 
of picture frame. 


The comments upon the last picture apply with equal force to this one, 
only this is even more carefully painted. 


Property of Mrs. Bensamin TuHaw. 


o 


Henry Inman, N.A. 
AMERICAN: 1801—1846 


161—BOY AND DOG 
Canvas, oval: Height, 21 inches; width, 161% inches 


Youn boy wearing one garment seated on the ground playing 

with a collie dog who wants the food the child is eating with a 
spoon out of a cup he holds in his hand. The boy has very rosy 
cheeks, curling auburn hair and brown eyes. Background, 
landscape. 


This canvas is as freely painted as Inman’s large portraits, which is 
unusual in his genre pictures, although he was noted for his versatility 
of manner and subject, beautiful in color and attractive in composi- 
tion. Inman’s pictures are not easily found and it is rare to have 
three together, as in this collection. 


Property of Mrs. Bensamrin Tuaw. 


A 1 ART AUCTION ROMANCE.’* 
? ‘sng the second séssiou ote 


tu~ .s@topim the Plaza Bai 
fay 10,:lastiid 


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George Peter Alexander Healy 
AMERICAN: 1813—1894 


162—TWO YOUNG SISTERS 
Canvas: Height, 30 inches; width, 25 inches 


Busts full front of two girls, aged respectively about three and 
eight years. ‘The younger to right half-length, in low-neck 
dress, short sleeves tied with red ribbon, showing both arms 
bare, fair hair fastened with red ribbon, blue eyes and rosy 
cheeks. The elder to left, head and shoulders, darker hair tied 
with blue ribbon, blue eyes. Vignetted in background of clouds. 


Healy was a Massachusetts man who passed most of his art life abroad 
and settled finally in Chicago. He was noted as a painter of persons 
of consideration, but his most interesting canvases are of children, 
this one, of two of his nieces, being as good an example of his work as 
likely to be found. Healy is one of the few American painters honored 
by having his portrait hung in the Uffizi Gallery at Florence. 


Signed at bottom, G. P. A. Heary, 1859. 


Property of Mrs. Benzamin Tuaw. 


Thomas P. Rossiter, N.A. 
AMERICAN: 1817—1871 


163—_W ASHINGTON AT MOUNT VERNON 
Canvas: Height, 30 inches; width, 44 inches 


WASHINGTON is seated, profile to left, at a small table on the 
lawn addressing three friends, with Mrs. Washington seated at 
the other side with a young woman standing beside her. To the 
right is a summer-house occupied with guests, and two children 
seated on the steps. he mansion is in the background to right, 
with a glimpse of the Potomac before it. | 

This painter made a number of pictures with Washington as the 
central figure, which he exhibited around the country and were popular 
at the time. In this one the portrait of Washington is evidently taken 
from the Sharples crayon, but the other faces are not sufficiently well 
executed to identify them. 


Signed at left hand corner, 'T. P. Rosstrer, 1866. 


Property of Mrs. Benzamin Tuaw. 


Francis Alexander 
AMERICAN: 1800—1880 


164—PORTRAIT OF YOUNG WOMAN 
Canvas: Height, 24 mches; width, 20 inches 


Bust of young woman, full face to front, with soft brown hair 
in long curls hanging over neck, brown eyes, ashes-of-roses low- 
neck waist, maroon-colored cloak trimmed with feathers over 
shoulders. Background blue. 


Francis Alexander was a Boston painter who early took up his resi- 
dence in Italy, where he continued to live, making infrequent visits to 
this country. His widow, unless recently deceased, lives in Florence, 
past a hundred years of age. 


Property of Mrs. Benzamin Tuaw. 


Eastman Johnson, N.A. 
AMERICAN: 1824—1906 


166—PORTRAIT OF WILLIAM M. EV ARTS 
Canvas: Height, 24 inches; width, 20 inches 


Bust to left, nearly in profile, of an elderly man in dark coat, 
turned-down soft collar and black tie. Background dark. 


This is one of several portraits of Mr. Evarts that Eastman Johnson 
painted and is a fine bit of characterization very skilfully treated. 
Mr. Johnson and his works are so well known, it is unnecessary to 
say more than that he was a member of the National Academy of Design, 
elected in 1860, and that he kept well abreast of the times in the 
progress of his art, never lagging behind as did many of his contem- 
poraries. | 
Signed in front, EASTMAN JOHNSON, 


Property of Mrs. Bensamin THaw. 


Alvan Fisher 
AmERICAN: 1792—1863 


167—LANDSCAPE WITH FIGURES 
Canvas: Height, 24 inches; width, 30 inches 


A THATCH-ROOFED wayside inn, with the sign of the Stag nailed 
to a gnarled tree beside, in front of which is a man on a white 
horse talking to a maid. In the left center back, a stage coach 
loaded with passengers, drawn by three horses, is hailed by a 
New England militiaman in cavalry uniform, white trousers, 
blue jacket, black helmet with feather and sword. ‘Thatched 
cottages in the background, a man and a woman seated on the 
ground, in front, with a fine elm tree toward the right, com- 
plete the picture. 


This is a composition landscape, modeled upon Morland’s style, in its 
arrangement, but of a high quality of work with a beautiful glow from 
the sky and showing nice feeling for tree form. Fisher painted some 
portraits, but is best known by these composition landscapes, in which 
he introduced figures of persons and of animals. Several of these 
were engraved for the “Annuals”’ so popular in the *30’s and *40’s and 
gained for Fisher wide approval. The present is a good example of 
this rarely met with painter’s work, with the militiaman a guinea mark 
of local color. 


Property of Mrs. Bensamin Tuaw. 


‘ 


a 


IMPORTANT AMERICAN AND FOREIGN 
PAINTINGS 


John H. Twachtman 
AMERICAN: 1858—1902 


168—THH WHITE BRIDGE 
Canvas: Height, 30 inches; width, 24% inches 


A WHITE, rustic bridge with slender poles rising above the foot- 
way and supporting a roof over the farther half of the structure, 
spans, in an arching shape, a stream running through the fore- 
ground. The effect is of full sunlight playing over the green 
banks on both sides of the water and the summer foliage of trees 
which fills all the upper part of the canvas. Amid this setting of 
verdure the white bridge produces a vibrating note that sings, 
so to speak, in harmony with the other elements. 


Signed at the lower right. 


Property of the Estate of the late Mrs. GertrupE Cownrn. 


James Carroll Beckwith, N.A. 
AMERICAN: 1L852— 


169—_YOUNG WOMAN 
Canvas: Height, 32 inches; width, 2534 mches 


A HALF-LENGTH, life-size, seated figure in profile view, of a 
young woman in gown of blue figured stuff, trimmed with fur; 
her chin resting in one hand and the fingers of the other between 
the pages of a pamphlet, on a table before her. The background 
is formed by a view of landscape with a lake. 


Signed at the lower left. 
Property of P. H. McMaunon, Esa. 


Robert Reid, N.A. 
AMERICAN: 1863— 


170—POND LILIES 
Canvas: Height, 36 inches; width, 24 inches 


A THREE-QUARTER length seated figure of a young woman in a 
short-sleeved summer gown. Crowning her blond hair is a 
straw hat, trimmed with greenish blue, and at her feet is a great 
bowl, filled with water in which pond lilies are afloat. Behind 
her rises a grassy hill flecked with sunlight and a few bright 
patches are seen on her gown where the sun filters through the 
shade in which she has taken a seat. 

Signed at the lower left. 
Property of P. H. McManon, Esa. 


George H. Bogert, A.N.A. 
AMERICAN: 1864— 


1WI— NEAR FONTAINEBLEAU 


Canvas: Height, 29 inches; length, 36 inches 


THE scene is a clearing near the outskirts of the Forest of Fon- 
tainebleau. In the foreground is a pond with bowlders near its 
edges. ‘Two small figures appear at the right. On the right, 
also, on rising ground, is a fine group of oaks, and other trees 
are seen at the left. In the middle distance is a sunlit plain 
backed by a belt of trees in autumn foliage and a range of hills. 
Overhead is a sky of gray, with cumulus clouds near the horizon 
and a space of blue above. 

Signed at the lower left. 


Property of P. H. McManon, Esa. 


George H. Bogert, A.N.A. 
AMERICAN: 1864— 


172—SUNSET AT VENICE 
Canvas: Height, 28 inches; length, 40 inches 


Bryonp the wide expanse of the calm waters of the Adriatic, 
which fill the foreground of the picture, lie the buildings and 
towers of Venice in the evening haze. On the right, where the 
sun has set, are glints of gold on the horizon clouds and tints of 
red and yellow extending to the left show other traces of the 
fading hight. Overhead the sky rises high with mingled masses 
of yellow and gray and the crescent moon is seen in silvery out- 
line. In the right center of the composition, fishing boats with 
vari-colored sails and a gondola make a mass of dark values and 
at the left a lantern, hung on piles, sheds a mellow glow of 
orange. 

Signed at the lower left. 


Property of P. H. McManon, Esa. 


rescue ennarenterr rermemmnpmesmumesoneonnsn nana tapaananegn 


Julian Rix 
AMERICAN: 1851—1903 


173—THE MEADOW BROOK 
Canvas: Height, 54 inches; width, 3634 inches 


Tux composition shows a swift-running brook, its waters swol- 
len by a heavy shower which has left the trees dripping and the 
grass of the meadows glittering in the sunshine coming from be- 
hind a great cloud in the sky. In the middle distance the waters 
are seen tumbling over the bowlders and in the foreground the 
stream widens out as the turgid flood swirls past and out of the 
picture. 

Signed at the lower right. 


From the artist’s sale. 


Property of P. H. McManon, Esa. 


John H. Twachtman 
AMERICAN: 18538—1902 


174A—_WINTER LANDSCAPE 


Canvas: 30 inches square 


A sTREAM flowing toward the spectator emerges from between 
its banks where it makes a bend in the middle distance. Beyond 
is a hillside covered with snow and with a note here and there of 
a tree or a clump of bushes. Along the borders of the stream 
are shrubbery and a few trees. Overhead is a gray-blue sky. 
Color notes of pink, blue, yellow and green are in contrast to 
the white of the snow. 


Stamp of the “Twachtman Sale” at the lower left. 


Property of the Estate of the late Mrs. G—rtrupE Cownin. 


John H. Twachtman 
AMERICAN: 1853—1902 


175—_LANDSCAPE 
Canvas: Height, 3434 inches; length, 46 inches 


Merapow lands in the foreground lead to a bluff of great, gray 
rocks with forest trees forming masses of dark green foliage. 
Over all is a sky of gray clouds. Sunlight, coming from the 
left, casts shadows on the grass and indicates by contrasts of 
light and shadow the form in the masses of the trees. ‘The en- 
semble presents a restrained and sober scheme of color. 


The authenticity of the picture is attested by a letter, on the back of 
the canvas, from J. Alden Twachtman, son of the artist. 


Property of ALEXANDER Morten, Esa. 


George H. Bogert, A.N.A. 
AMERICAN: 1864— 


176—THE CRESCENT MOON 
Canvas: Height, 36 inches; length, 56 inches 


A STREAM, with waters shallow in the autumn dry season, flows 
in the middle of its wide bed, from the foreground around a bend 
in its banks in the central part of the picture. On the bank, at 
the right are trees with brown leafage, and on the left is a 
hillock with bowlders in the grass and some trees along its top. 
Across the fields that fill the middle of the picture a line of 
hills is seen. ‘The evening sky shows cool tints of blue and 
clouds of yellowish white. In a clear space, in the upper left 
of the canvas, is the crescent moon. 

Signed at the lower left. 


Property of P. H. McManon, Esa. 


asa itRSS SSS RAE. 


aR 


Pierre Mignard 
Frencu: Circa 1610—1695 


177—PORTRAIT OF A LADY 
) Canvas: Height, 46 inches; width, 35 imches 


A THREE-QUARTER-LENGTH, life-size seated figure of a lady of 
matronly aspect, in rich low-neck dress of crimson velvet; wide 
sleeves, open on upper side and clasped with large carbuncles; 
pearl necklace. Her right hand rests on a table at left and her 
left hand hes in her lap. 


Property of Mrs. Benzamin Tuaw. 


Sir Godfrey Kneller 
British Scuoou: 1646—1723 


178—_LADY CATHERINE WYNDHAM 
Canvas: Height, 41 mches; width, 34 imches 


A. THREE-QUARTER, life-size portrait in full face of a lady in a 
gown of ruby velvet with folds overlapping in front and reveal- 
ing a chemise of white lawn. The sleeves, wide and of half 
length, cover the upper part of the arms with undersleeves show- 
ing below. The left hand rests on a plum-colored cushion 
adorned with a border and tassels of silver bullion while the 
right hand is extended downward in a graceful gesture. ‘The 
head is inclined slightly to the left, with the dark hair gathered 
in a knot at the back of the neck. 


An inscription painted on the lower right hand corner of the canvas 
reads: “Lady Catherine Wyndham, daughter to Charles, Duke of 
Somerset.” She was the wife of Sir W. Wyndham, Baronet. 


From the collection of the Duke of Buckingham and Chandos, Stowe, 
England. 


Property of a Private Collector. 


Claudio Coello 
SpANIsH: 1635?—1693 


179—PORTRAIT OF DONA KATARINA DE 
BRAGANCA 


Canvas: Height, 50 inches; width, 40 inches 


A. THREE-QUARTER length, life-size portrait of the princess in 
nearly full face view. Her dark hair falls in curls on either side 
of the face and shows in ringlets on the forehead. ‘The costume 
consists of a low-neck gown of red with gold flowers, short 
sleeves finishing with lace cuffs and red ribbon, elaborate lace 
around the shoulders and large jeweled ornament suspended at 
the neck by a narrow black ribbon. She wears pearl bracelets 
on both wrists and a heavily jeweled ring on the left hand. 


This portrait of the Princess of Portugal, wife of Charles II. of 
England, belonged to the collection of the Duque de Ossuna, and was 
purchased from Mr. Julius D. Ichenhauser, of London. 


By order of an Executriz. 


Juan Bautista Martinez del Mazo 
SPANISH: —1667 


180—PORTRAIT OF A SPANISH LADY 
Canvas: Height, 57 inches; width, 431% inches 


THREE-QUARTER, life-size, full face, portrait of a lady whose 
black hair is dressed with a chain of gold sequins and pendent 
pearls; pearl necklace, rich robes of black, heavily trimmed with 
gold and jewels; the left hand resting on back of red chair and 
the right at side, holding closed fan. Red curtain draped on 
both sides, above. 


Property of Mrs. Bensamin TuHaw. 


eee! 


Sir William Beechey, R.A. 
British: 1753—1839 


181—_THE STANLEY CHILDREN 
Canvas: Height, 76 inches; width, 55 inches 


Tuts pleasing group, an important example, shows a boy in 
dress of black, with some brass buttons, and white lace-edged 
collar, standing beside a chair on which he supports a little girl, 
who is standing, dressed in white, with pink sash and white lace 
cap. On the right a little girl, also in white, is seated and plays 
with a spaniel. At the left is another of the pets, a brown dog. 
A pillar, red curtain and sky compose the background. 


From Haydon Hall, Norfolk, England. 


Property of Mrs. Bensamin THaw. 


Peter Paul Rubens 


Fiemisy: 1577-—1640 
11IA—THH ARRIVAL OF BACCHUS 
Canvas: Height, 67 inches; length, 85 inches 


In the center of the picture the life-size figure of Bacchus is 
seen descending from his golden car, which is drawn by two 
leopards. He is preceded by two nymphs and attended by 
other nymphs, cupids and satyrs, with ewers and wine cups. 
The figures are partly draped, or nude, and are happily 
grouped by the artist, forming an animated ensemble. On the 
left, in the background, is a view of the sea with a sailboat 
moored near the shore. 

An early work by Rubens, who, at the time it was painted, was inspired 
by Titian’s “Bacchus and Ariadne” in the National Gallery, London. 


Property of Mrs. Bensamin Taw. 


Paolo Caliari Veronese 


Irauian (VENETIAN): 1528—1588 
182—ESTHER BEFORE AHASUERUS 
Canvas: Height, 664 mches; length, 85 inches 


QUEEN EsTHER, in a rich Venetian costume of black and gold 
brocade and gold embroidered cloak, is depicted in this elaborate 
composition kneeling before King Ahasuerus, who is seated on 
a throne at the left. Her train is carried by four maids of honor. 
Grouped about the throne are various personages, a scribe 
seated at his pulpit, a soldier with helmet and two courtiers, one 
dressed in dark green and red, bearing a resemblance to Vero- 
nese. The setting for the scene is a sumptuous hall with pillars 
and caryatides. Through the wide doorway in the middle of the 
picture looms up the grandiose architecture of the palaces. 


This picture was in the Blenheim Collection of the Duke of Marl- 
borough, sold at auction in 1884 by Messrs. Christie, Manson and 
Woods; appears in the catalogue of the Blenheim Collection as being 
of the School of Veronese, but was declared to be a Veronese by Mr. 
Charles Sedelmeyer, M. Benjamin Constant and others. 


By order of an Executria. 


THIRD EVENING’S SALE 


THURSDAY, MAY 11, 1916 


AT THE AMERICAN ART GALLERIES 


BEGINNING PROMPTLY AT 8.15 O CLOCK 


John Sell Cotman 
Britiso: 1782—1842 


1883—ON THE THAMES 
Panel: Height, 934 inches; length, 12 inches 


A ROAD, in the left forground, shaded by trees, follows the 
shore of the river and a man and a woman are seen driving on 
it in a gig with a white horse. On the opposite bank are the 
buildings of a suburban palace and the spire of a village 
ehurch. On the river, which occupies the middle portion of 
the picture, are sailboats and barges, all carrying pleasure 
seekers or officers of the court. 


By order of an Executria. 


David Teniers 
FiemisH: 1610—1690 


184—THE THMPTATION OF ST. ANTHONY 
Panel: Height 12 mches; width, 9 inches 


THE saint, bald and bearded, is seen seated at a rock table near 
the door of his cave, with an open book before him, propped up 
on a skull, while his tormentors, demons in the shapes of gro- 
tesque animals and birds, are thick about him. A grinning 
gnome is close behind him and on the floor is a monster whose 
head and body are those of an old peasant woman, and whose 
legs are those of a web-footed bird. 


Monogram signature at the lower right. 


By order of an Executriz. 


Salvator Rosa 
Irauian (Neaprouitan): 1615—1673 


185—J ASON 
Canvas: Height, 141% inches; width, 91% inches 


A FULL-LENGTH figure of a man in armor with brown cloak, in 
conflict with a great green dragon which rears its head at his 
side with wide-open jaws. 


By order of an Executriaz. 


Gabriel Metsu (Attributed to) 
Dutcu: 16380—1667 


186—_WOMAN WITH A PINK 
Panel: Height, 934 inches; width, 8 inches 


A. HALF-LENGTH seated figure of a middle-aged woman, facing 
to right, in black gown and cap and wide white collar, looking 
intently at a crimson carnation held in her right hand. In an 
earthen pot, with trellis, on a pedestal, at right, are several tall 
pinks of the same variety. Background of landscape and sky. 


Property of Mrs. Benzamin TuHaw. 


Richard Parkes Bonington 
Britiso: 1801—1828 


187—ON THE SEASHORE 
Panel: Height, 10 inches; length, 1414 inches 


Tue foreground shows a sandy beach where a fishwife is seated 
before a long table on trestles displaying her wares, and a man 
on a white horse has stopped nearby, the bridle of his horse 
held by a fisherman with a red cap. At the left is a pier with 
vessels and small boats. The sea beyond is gray-blue under a 
sky heavily clouded below and breaking into light in the upper 
portion. 


By order of an Executria. 


Antonio Allegri da Correggio 
Traian: 1494-1534 


188S—HEAD OF A BOY 
Canvas: Height, 1134 inches; width, 11144 inches 


THE life-size head of a boy with blond curly hair and large 
dark eyes, looking over his left shoulder, to face the spectator. 


From the collection of Mr. Bevan, Trent Park, Hertfordshire. 


Bought from Mr. Julius D. Ichenhauser, London. 


‘By order of an Executriaz. 


Diego Rodriguez de Silva y Velasquez 
(Attributed to) 


SpanisH: 1599—1660 


189—_HEAD OF A MAN 
Canvas: Height, 14 inches; width, 13 wmches 


LirE-s1ZE head of a man with blond hair close cut, heavy mus- 
tache and cropped blond beard; wide white collar. A head of 
strong character vigorously delineated. 


Property of Mrs. Bensamin THaw. 


Elizabeth Louise Vigee Le Brun 
(Attributed to) 


Frencu: 1755—1842 


190—PORTRAIT OF CHARLES LE BRUN 


Canvas: Height, 15 inches; width, 1284 inches 


A. THREE-QUARTER-LENGTH figure of a gentleman, facing to 
right, with gray wig, gray coat, flowered waistcoat, showing 
above the coat lapels, and white jabot. A roll of manuscript 
music is held in the right hand. The face shows a frank char- 
acter and the head is well drawn. 


By order of an Executriz. 


J. EK. [bbetson 
Britiso: 1759—1817 


191_MASHAM MARKET IN YORKSHIRE 
Canvas: Height, 14\% inches; length, 18 inches 


In the public square of an English town, with buildings on 
its farther side crossing the canvas in the middle distance, a 
cattle market is in progress, the square being filled with the 
animals, farmers and townsfolk. In the immediate foreground, 
at the right, is a detached group of three women and a donkey 
with its driver. 


By order of an Executriz. 


Daniel Mytens 
Dutcu: Circa 1590—post 1658 


1922—THE COUNTESS OF DORSET 
Canvas: Height, 16 inches; width, 121% inches 


HALF-LENGTH portrait, in nearly full face view, of a handsome 
young woman of brunette type; hair dressed high with pearl 
and enameled flower ornaments and cur] falling on back of 
neck; low-neck dress of pink velvet with silver trimming, black 
cloak with star embroidered on it and rose-colored lining, and 
underbodice of white. A very attractive picture. 


By order of an Executriaz. 


Diego Rodriguez de Silva y Velasquez 
SPANISH: 1599—1660 


1983—PRINCESS MARGUERITE 
Height, 181% inches; width, 1816 inches 


A. THREE-QUARTER-LENGTH figure, in full face, of the princess 
in youth; elaborate dress of white and cherry-red, ornamented 
at the neck of the bodice and on the shoulder with heavy jewel 
pieces; dark brown hair falling in curls on each side of the face 
and dressed on top with a long white plume and cherry ribbon 
bow. The right hand, with jeweled rings, rests on the back of 
a red chair; the left hand, with jeweled rings also, holds a fan. 
On the wrists are pearl bracelets and around the neck a string 
of pearls. ‘The general aspect of the picture is impressive 
in its regal air and the color is agreeable. 


By order of an Executriaz. 


Jean Baptiste Le Prince 
Frencu: 1733—1781 


191 _ HEAD OF AN OLD MAN 
Canvas: Height, 18 inches; width, 15 mches 


A LIFE-SIZE head of a venerable man with white hair and beard, 
wearing a red cap trimmed with fur and a cloak of red. The 
face is in half light, the head being inclined to the right, and the 
light falls from the left on the temple, neck and shoulder. 


By order of an Executria. 


Early English School 
195—GIRL WITH POSIES IN HER HAIR 


Canvas: Height, 181 inches; width, 15 inches 


Heap and bust of a girl with brown hair, the face in three- 
quarter view to left. Dark red gown, white fichu, a rose in 
hair on left side of the head and a bunch of flowers on the other. 


Property of Mrs. Benyamin Tuaw. 


Unknown Artist 


196—PORTRAIT OF A BABY 
Canvas: Height, 19 ches; width, 15 inches 


HAL¥F-LENGTH, seated, portrait of a baby in white dress, with 
green figured drapery over knees; blue eyes, downy hair, head 
bent to left. 


Property of Mrs. Bensamin THaw. 


Jacob Van Ruysdael 
Dutrcu: 1628—1682 


197—_LANDSCAPE 


Canvas: Height, 141% inches; length, 19 inches 


In the foreground a stream is seen dashing in its course over 
bowlders. In the right center is a group of trees reaching up to 


the top of the canvas. ‘The sky shows gray clouds with spaces 
of blue. 


By order of an Executria. 


Frans Van Mieris 
DutcH: 1635—1681 
198—_REVIVING A LADY WHO HAS FAINTED 
Canvas: Height, 19 inches; width, 151% inches 


AL LADY, seated with her left arm resting on a pillow on a table 
beside her, dressed in a low-neck gown of brown and dark green 
velvet jacket trimmed with ermine, is being revived from a 
fainting spell by her maid, who leans over her from behind 
and tickles her nose with a small feather. In the background 
is a bed with maroon canopy and curtains. 


By order of an Executria. 


Early Italian School 


199_-MOTHER AND CHILD 
Panel: Height, 19 inches; width, 161 mches 


THREE-QUARTER-LENGTH seated figure of a woman, dressed in 
red and dark green, holding a nude child on her lap on a cushion. 
The child’s left arm is around the mother’s neck and the right 
hand caresses a dove, held by the mother at her breast. 


Property of Mrs. Bensamin THaw. 


Federigo Zucchero 
Roman: 1543—1609 


200—-MARY, QUEEN OF SCOTS 
Panel: Height, 19 inches; width, 1614 inches 


Bust portrait of the Queen in nearly full face, black dress, cap, 
collar and ruff of white; jeweled cross with pendent pearls at 
breast. A conscientious piece of painting. 


On back of panel, an ancient green wax seal. 


Property of Mrs. Bensamin 'THaw. 


Robert Om Minor, N.A. 
AMERICAN: 1840—1904 


201—AN AUTUMN REVERIE 
Canvas: Height, 1534 inches; width, 1134 inches 


A Group? of trees in autumn foliage, the branches of one of them 
reaching up to the top of the picture, occupies the right fore- 
ground. In the middle distance a dark note is given by a small 
figure. At the low horizon, on the left, warm tints in the sky 
indicate the close of day and, above, the tints gradate into 
greenish-blue where clouds are seen floating. 


Signed at the lower right. 
Property of CHAartes Beers, Esa. 


M. F. H. de Haas, N.A. 
AMERICAN: 1832—1895 


202—_MARINE 
Canvas: Height, 121% inches; length, 1914 inches 


AT sea in gray weather. A square-rigged vessel is coming for- 
ward in the middle distance under a light wind and nearby 
is a tug, puffing steam and smoke. At the right, on the horizon, 
is an island with a lighthouse and in its vicinity are several 
vessels. Overhead is a sky of rolling gray clouds. 


Signed at the lower left. 


Property of CuHarLes Beers, Esa. 


Henry Ward Ranger, N.A. 
AMERICAN: 1858— 


203—HAY BOATS 
Water color: Height, 181% wmches; length, 21 inches 


NeEak the center of the composition are four sailboats, used for 
carrying hay made on the salt meadows, moored at the edge of 
a strip of flatlands, though some of the sails have not been 
pulled down. Above the low horizon is a sky of blue-gray 
clouds. 7 


Signed at the lower right, and dated ’84, 


Property of CuarLes Brers, Esa. 


Early Dutch School 


204—A SKIRMISH 
Canvas: Height, 14 inches; length, 21%4 inches 


TRooPERs and foot-soldiers in an engagement at close quarters, 
the composition including some twelve figures. In the fore- 
ground are trees, on the right, and a clouded sky above. 


Property of Mrs. Bensamin THaw. 


Vincent Colyer, A.N.A. 
AMERICAN: 1825—1888 


205—-W RANGEL HARBOR 
Canvas: Height, 15 inches; length, 24 mches 


THE wide sheet of water which fills the forepart of the picture 
hardly shows a ripple on its surface, so calm it is, save for the 
wake of a canoe that Indian boatmen are paddling slowly along. 
The shores follow an outline that approaches to a circle and are 
lined with hills. In a gap, near the middle of the picture, is a 
view of distant snow-capped mountains, and the yellow-gray sky 
is reflected in the smooth surface of the bay. 


Property of Cuaries Brrrs, Ese. 


Rembrandt School 


206—HEAD OF A WOMAN 
Canvas: Height, 20 inches; width, 17 inches 


A BusT portrait of a woman with pleasant expression, the head 
inclined forward and turned to left, showing in three-quarter 
view. Headdress of white with small pink ribbon bow, blue 
robe and white collar; earring with black pearl. 


Property of Mrs. BENJAMIN THAW. 


Early Spanish School 
207—_ST. JOHN 


Canvas: Height, 21 inches; width, 18 inches 


HALF-LENGTH figure of St. John, depicting him as a boy with 
dark hair falling about his face and shoulders; coat lined with 
goat skin; staff with scroll leaning on left shoulder, and right 
hand holding a cup, from which a lamb whose head is seen at 
left is drinking. 


Property of Mrs. BeNgamin 'THAw. 


Mariano José Maria Fortuny y Carbo 
SpANisH: 1838—1874 


208—_ROMAN MODEL 
Canvas: Height, 22% inches; width, 161% inches 


Stupy of the head and bare shoulders of a man with long black 
hair and grizzled beard, in full face view, the head inclined 
slightly forward. 
Signed at the lower left and authenticated by inscriptions 
at the right by V. Palmaroli and two other pupils of 
Fortuny. 


By order of an Executria. 


Sir Peter Lely (Attributed to) 
British ScHoou: 1618—1680 


209 LADY ANNE ASHLEY 
Panel: Height, 2234 inches; width, 16 inches 


HALF-LENGTH portrait, in oval, of a girl in her teens in low- 
neck dress of Charles I. period of pearl color and lace, sleeves 
striped with green, pear! necklace, hair dressed with lace bonnet 
ornamented with jewels, large pear-drop pearl earring. 


Property of Mrs. BEnsamin TuHaw. 


Johannes Mytens 
Dutrcu: Circa 1614—1670 


210—PORTRAIT OF A LADY 
Height, 22 inches; width, 18 inches 


Bust portrait of a young woman with dark hair dressed in 
the style of mid-seventeenth century, with ringlets; low-neck 
gown of green, ornamented with strings of pearls; silken scarf 
of gray drawn low around the shoulders and fastened in front 
with a jeweled brooch of four pearls. Large pear-shaped pearl 
earring and pearl necklace. 


Property of Mrs. Benzamin THAw. 


Henry Ward Ranger, N.A. 


AMERICAN: 1858— 


211—Ad WET DAY IN AMSTERDAM 


Water color: Height, 18 inches; length, 24 inches 


A BROAD quay bordering a canal is seen on the right, with its 
quaint buildings, cabs, drays and pedestrians reflected on the 
wet stone pavement. In the canal broad-beamed Dutch sailing 
vessels are moored on either side, the mast of the one nearest 
the spectator, topped with a blue pennant, reaching up high in 
the picture. On the farther side of the canal a line of trees 
marks the thoroughfare and buildings are seen beyond with the 
great dome of a municipal edifice looming up above them. The 
sky is gray, well suggesting the rainy weather. 


Signed at the lower right, and dated ’87. 


Property of Cuarves Beers, Esa. 


Del Vegas 


212—PREPARING FOR CRUCIFIXION 
Copper panel: Height, 19 inches; length, 24 inches 


A COMPOSITION that includes some forty figures depicting the 
scene of the crucifixion at the moment when Christ is being 
nailed to the cross, which lies flat in the foreground, and the 
thieves, bound, are being brought forward and their crosses 
raised. Mingled with the populace are Roman soldiers. In 
the background, at the left, are two women followers of Christ, 
in blue and red, with halos. 


Property of Mrs. Benzamin THAw. 


Giulio Romano (Giulio Pippide Giannuzzi) 
Irarian (Roman): 1492—1546 


213—THE FIVE ATTRIBUTES 


Canvas: Height, 121% inches; length, 29 inches 


Five full-length figures, painted in monotint, standing in a 
row across the canvas; the three in the middle distance being 
female and those at each end male. AlIl are in Roman costume. 
Each personage bears symbols, such as a torch, a statuette of 
Minerva, a club and an open book. 


By order of an Executria. 


Early Flemish School 


214—A DORATION OF THE MAGI 
Canvas: Height, 19 ches; length, 26 inches 


AL COMPOSITION with many figures in costumes of about the 
sixteenth century. At the left is the seated Virgin, with the 
Child on her lap, both with luminous halos. Kneeling before 
them one of the kings, his robe held up by a page, is offering 
a large goblet. Grouped nearby are the two other kings and 
Joseph, all with halos. Behind them is a great company of 
attendants and soldiers with banners and spears. In the sky, 
which appears between architectural forms, on the right and 
left, a shaft of light descends from a star emblem in a cloud. 


Property of Mrs. Bensamin THAW. 


J. Bahieu 


215—_CHICKENS IN SPRINGTIME 


Canvas: Height, 19 inches; length, 26 inches 


A FINE flock of chickens, headed by a bright-plumaged rooster, 
is gathered about a heap of straw and a feeding trough near a 
thatch-roofed stable and shed. An apple tree growing in the 
yard, at the right, is covered with blossoms and the general 
aspect of the picture gives a pleasant impression of spring in 
the country. 


Signed at the lower left, and dated °91. 


Property of CuHarLes Beers, Esa. 


Early Dutch School 


216—PORTRAIT OF A GENTLEMAN 
Canvas: Height, 241% inches; width, 19 inches 


A. Bust portrait of a gentleman, with long, curling black hair, 
mustache and goatee, in nearly full face view, wearing chased 
armor, white collar edged with lace, gold chain and pendent 
medallion. 


Property of Mrs. Benzamin Tuaw. 


Early Italian School 


217—_MADONNA AND CHILD 
Panel: Height, 24 mches; width, 20 inches 


THE Madonna, in three-quarter-length, seated, is dressed in 
robe of red with gray-green cloak and holds in her lap the Child 
with her right hand, while He takes her left in both of His. 
Ornamental halos, gray curtain draped in left upper corner, an 
open window at right with Italian landscape view. 


Property of Mrs. Bensamin Tuaw. 


Early Spanish School 


218—_ST. ANTHONY AND A CHILD 
Canvas: Height, 25 inches; width, 20 inches 


A HALF-LENGTH figure of St. Anthony, as a young man; dark 
hair and tonsure, brown robe, head inclined to right, and hold- 
ing, with white draperies, a nude child on a table at the bottom 
of the canvas, where some white flowers are placed. 


Property of Mrs. Benzamin Tuaw. 


Early Dutch School 


219—A VILLAGE GATHERING 


Canvas: Height, 20 inches; length, 25 mches 


A COMPANY of peasants, men and women, in a high ceilinged 
room with leaded glass window, chatting and drinking while 
a fiddler plays a tune in the background. 


Property of Mrs. Benzamin THaw. 


Guido Reni (Attributed to) 
Iranian: 1575—1642 
SCHOOL OF PARMA 


220—ST. JOHN 


Canvas: Height, 25 inches; width, 21 inches 


HAL¥F-LENGTH picture of the Saint, in youth, with shoulders 
and chest bare; goat skin around the body and red cloak; head 
inclined forward and turned to left. In right hand a cross and 
one end of narrow scroll, inscribed “Ecce agnus Dei” and left 
hand holding the other end. 


Property of Mrs. Benzamin THaw. 


Nicolas Poussin School 


221—_THE APPARITION 
Panel: Height, 2014 inches; length, 2514 inches 


ArT the side of a brook, in the center foreground, the stooping 
figure of a young man in a red garment, who turns his head 
upward to the right to look into the face of an angel, with pearl- 
gray drapery and wings erect, who has appeared at his side. 
The figures, small in relation to the whole composition are de- 
picted in a landscape showing a valley studded with trees and 
with a high cliff on the right. In the night sky, high up at the 
left, is the moon. 


Property of Mrs. Bensamin Tuaw. 


British School 
PERIOD OF LAWRENCE 


222 PORTRAIT OF A YOUNG SQUIRE 
Canvas: Height, 251% inches; width, 21 inches 


HALF-LENGTH of a man about thirty, in dark blue coat with 
brass buttons, high collar and white neck kerchief, and the edge 
of red waistcoat showing. The head, with heavy brown hair, 
is turned to the right to show the face, clean shaven, except for 
small side whiskers, in three-quarter view. 


Property of Mrs. Bengamin Tuaw. 


Richard Wilson 
BrirtisH: 1713—1782 


223—-THE THAMES NEAR SION HOUSE 
Canvas: Height, 1834 inches; length, 27°84 inches 


A ROAD with trees in summer foliage winds along the bank of 
the river, on the right, and on opposite shore are sloping lawns 
and the dense foliage of a park where, in a gap, appears the 
white facade of Sion House. Tree-covered hills are seen in the 
distance, and a summer sky, with cumulus clouds, is overhead. 
In the river a sailboat, with cooking fire sending up smoke, 
moves slowly along, and in right foreground, under a tree, are 
two men, one who is seated being nude to the waist, his shirt on 
the grass beside him. 


By order of an Executria. 


Johannes Lingelbach 
GERMAN: 1623—1674 


224—_ON AN ITALIAN ROAD 
Canvas: Height, 1934 inches; length, 26 inches 


In front of a roadside inn a number of people are grouped, 
including two men who are sitting on the ground and playing 
a game of cards, a man and a woman leaning over a cask, a 
young man on a donkey thrumming a guitar, and a little boy 
raising a stick to scare away a dog. Through a doorway are 
seen a white horse at a manger and a hostler. A blue sky with 
white clouds fills the upper left portion of the canvas. 


Signed at the lower left. 
By order of an Executria. 


Early Flemish School 


225—ST. CATHERINE RECEIVING 
THE BETROTHAL RING 


Panel: Height, 26 inches; width, 20 inches 


A GrouP of four figures, comprising Joseph, the Madonna and 
Child and St. Catherine. The Mother is holding the nude Child, 
who is conferring the marriage ring on St. Catherine, at the 
right, her left hand, with a palm, resting on her wheel. ‘he 
red, green, blue and yellow of the costumes combine with 
clear flesh tints in a brilliant ensemble. 


Property of Mrs. Bensamin THaw. 


Il Giorgione (Attributed to) 
Irauian (VENETIAN): 14'78—1510(?) 


226—THEH PROMISED BRIDE 
Canvas: Height, 21 inches; length, 271% wmches 


A «Group of four personages, showing heads, shoulders and 
hands. A young man, with red cap and white plumes, seems 
to be claiming the young woman, who is seen at the extreme 
right, having placed one of his hands on her neck and the other 
on hers, which she holds at her breast, while a third hand, be- 
longing to a figure in white cope, on the left, is superposed on 
the two. 


_ By order of an Executria. 


H. Herzog 


GERMAN: 1832— 


227—_THE WOODLAND BROOK 


Canvas: Height, 27 inches; width, 22 inches 


From the depths of a wood with the trees covered with green 
foliage, a brook flows into the foreground and forms a pool 
that looks to be deep as well as wide. On its placid surface the 
green leafage is reflected, and farther back the waters that feed 
it are seen running over a stony bed, splashing as they fall. 
On a high bank, at the left, a fisherman is about to cast his hook. 


Signed at the lower left. 
Property of CHArLes Beers, Esa. 


Henry P. Smith 
AMERICAN: 1854—1907 


228—GIUDECCA ISLAND NEAR THE 
GRAND CANAL, VENICE 


Canvas: Height, 28 inches; width, 20 inches 


K.NCOMPASSED by the smooth water, reflecting the blue sky of 
a Venetian summer day, is a house, with walls of pink, white 
and yellow, a red tile roof and awnings at the windows, which 
fills the left side of the picture. Beyond, at the right, are other 
buildings, shining in the sun, sea walls and the foliage of green 
trees in the gardens along the waterside. 


Signed at the lower left. 


Property of Mrs. JosrpH M. Cartuiste. 


Ernest Lawson, A.N.A. 


AMERICAN: CONTEMPORARY 


229—ON THE HEIGHTS 


Canvas: Height, 25 inches; length, 30 inches 


Bryonp a stretch of undulating ground, clothed in green, with 
shadows cast across the grass and herbage by strong sunlight, is 
a hill crowned with buildings. At the left, at its base, are flat- 
lands and a river with hills on the opposite shore dotted with 
houses. Above isa sky of mingled clouds and blue. 


Signed at the lower left. 
Property of Mrs. Joseru M. Cartiste. 


Period of Raphael 


230—_M ADONNA AND CHILD 
Panel: Height, 2715 inches; length, 28 inches 


A HALF-LENGTH seated figure of the Madonna, in crimson red 
dress and dark blue cloak, trimmed with gold braid on the 
edges, holding the nude Child, reclining in her lap, with His 
right hand pulling at the headdress of the Mother. On the 
right, a draped green curtain with gold border. 


Property of Mrs. BENJAMIN THAw. 


Titian School 


231_VHNETIAN WOMAN 
Canvas: Height, 28 inches; width, 23 inches 


A. THREE-QUARTER-LENGTH nude figure in full face, with head 
turned to right; auburn hair, classically dressed with inter- 
twined strings of pearls; the left hand, with chain bracelet and 
ring, placed on the breast; red drapery over the right arm. 


Property of Mrs. BengAmin THAw. 


EK. Horlacher 


232—WOMAN TRIMMING A WAND 
WITH FLOWERS 


Canvas: Height, 29 inches; width, 21 inches 


Hatr-LeNncTH, life-size picture of a motherly looking woman, 
with white cap, trimmed with blue ribbons, lace collar, brown’ 
quilted dress and under bodice of blue, leaning forward, to 
left, over a table while engaged in wiring sprigs of evergreen 
to a wand tipped with a white, cone-shaped flower. 


Property of Mrs. Benzamin THaw. 


Rubens School 


233—GROUP OF TWO WOMEN AND A CHILD 
Canvas: Height, 28 inches; width, 20 inches 


THE center of the group is a half-length nude figure of a child, 
with blond curly locks, who is supported by the right hand and 
arm of a woman, on the right, dressed in red. Above, at left, 
is the head of a woman with a veil of gray. Evidently a portion 
of a large composition. 


Property of Mrs. Bensamin THaw. 


Early Spanish School 


234—_THREE NUDE CHILDREN 
Canvas: Height, 291% inches; width, 24 inches 


A croup of three nude children, seemingly at play. One, who 
is blond, rides on the back of another, with dark hair, and back 
of them a third is seen, standing and holding up a knot of 
green ribbon. ‘The figures are cleverly grouped closely to- 
gether and the general tone is rich and mellow. 


Property of Mrs. Bensamin Tuaw. 


Early Spanish School 


235—MOTHER AND CHILD 
Canvas: Height, 30 inches; width, 24 inches 


THE mother, a half-length, life-size, seated figure is clad in red 
bodice, dark blue skirt and veil of gray; her head inclined to 
the right and holding on her lap a sleeping child, partly covered 
by white drapery. 


Property of Mrs. Bensamin Tuaw. 


Rubens-Van Dyck School 


236—PORTRAITS OF VAN DYCK AND RUBENS 
Canvas: Height, 25 inches; length, 30 inches 


Heaps and busts, larger than life, of Van Dyck and Rubens, 
the former smooth-shaven, at left, with head turned looking 
away to left, dressed in coat of seal brown; the latter, bald, 
brown beard, in black robe, with hand on chest. Background 
of dark blue sky and red curtain. Evidently a portion of a 
larger picture. 


Property of Mrs. Benzamin 'THAw. 


Robert Smirke 


BrirTisH 


237—_-HENRY VIII AND ANNE BOLEYN 
Canvas: Height, 30 inches; width, 25 mches 


Tue king and his young and comely consort are depicted 
standing hand in hand, the king in cramoisi tunic and coat 
trimmed with ermine, wearing the collar of an order and hat 
with white plume. Anne Boleyn is in dress of light blue with 
underskirt of yellow, and wears a long white veil. A red 
curtain, a table, a pillar and a view of a landscape compose the 
background. 


Purchased in London. 


By order of an Executriz. 


Early Dutch School 


238—PORTRAIT OF A LADY IN COURT DRESS 
Panel: Height, 31 mches; width, 24 mches 


A HALF life-size bust portrait, nearly full face to right, of a 
lady in low-neck dress of the Elizabethan period of white silk 
and black bodice, wide spreading stiff lace collar; chain and 
ornament of beads, pearl necklace and large pear drop pearl 
earrings. In oval border, laid on. 


Property of Mrs. Benzamin THaw. 


G. Hondecoeter (the Elder) 


DutcH 


239—_THE OAKS 
Panel: Height, 23 inches; length, 3234 inches 


A PICTURE of great oaks with twisted limbs and bunches of very 
carefully painted foliage. A road runs from the left fore- 
ground, making a bend as it turns around the trunk of one of 
the oaks in the right center. Through the foliage in the upper 
part of the canvas appears a sky of gray. 


Signed with monogram at the lower right, and dated 1636. 


By order of an Executria. 


Raphael School 


240—M ADONNA, CHILD AND ST. JOHN 
Canvas: Height, 33 inches; width, 241 wmches 


THE Madonna is depicted in full face, seated, holding in her 
arms the Infant Christ. At her knees, on the left, is the infant 
St. John looking upward, a small cross in his right hand. The 
Mother’s dress is sage green, with red cape, fastened across 
the breast with silver buttons and loops. On the right, in the 
background, is a landscape view. 


Property of Mrs. Benzamin Tuaw. 


Diego Rodriguez de Silva y Velasquez 
(Attributed to) 
SpanisH: 1599—1660 


241—PRINCHK BALTHAZAR 
Canvas: Height, 3414 inches; width, 23 inches 


A FULL-LENGTH portrait of Don Balthazar in childhood, with 
blond hair and blue eyes, dressed in a rich costume of lilac 
with black figure pattern, scarlet undersleeves, white ruff and 
cuffs; chain of gold and red beads pendent from neck, carrying 
at a point below the waist a large gold coin, or medal, with 
effigy and Latin inscription. The left hand rests on a table 
at the right where the little prince’s high-crowned hat with 
black and red stripes is seen, and the right hand is at the waist 
fingering the ends of a green lacet of the belt and waistband. 


A Latin inscription at the upper left states the birth of the subject as 
September 3, 1630. 


By order of an Executria. 


Early Flemish School 


242—-MA DONNA AND CHILD 
WITH ATTENDANTS 


Height, 38 inches; length, 29% inches 


SEATED figure of the young Mother, in crimson dress and sage 
green cloak, holding on her lap the Child, who reaches up with 
left hand to clasp the edge of the Mother’s bodice. On either 
side, youthful angels, one in rose color, the other in green, hold 
up a Jeweled tiara over the Madonna’s head. At right, a woman 
of pleasant type, in lilac dress and white hood, holds a basket 
of grapes, some of which the Madonna is about to take with 
her. left hand. 


Property of Mrs. Benzamin TuHaw. 


Early Spanish School 


2483—_MADONNA AND ATTENDANTS 
Canvas: Height, 36 inches; width, 28 inches 


Tut Madonna, in red and blue, holds the nude standing figure 
of the Child on a cushion on a table at the left, while He holds 
in His left hand a cross and in the right a bunch of nails which 
He has received from a monk in brown robe. Joseph is seen 
over the Madonna’s shoulder, at the upper left, and on the right 
are two adoring angels. 


Property of Mrs. Bensamin THaw. 


Titian School 


244 MADONNA, CHILD AND ST. JOHN 
Canvas: Height, 37 inches; width, 31 inches 


SEATED figure of the Madonna, in robe of lilac pink with hood 
of gray and cloak of yellow brown, holding on her lap with white 
drapery the Child, in whose left hand is clasped the staff held 
by the infant St. John, who is seen at the Madonna’s knees at 
the right. At the upper right of the canvas are three cherubs’ 
heads in clouds. 


Property of Mrs. Benzamin THaAw. 


Early English School 


245—PORTRAIT OF A GENTLEMAN 
Canvas: Height, 36 inches; width, 28 inches 


THREE-QUARTER life-size seated figure of a man, wearing a 
white curled wig; white neckcloth of lawn and lace, sleeves of 
the same and coat of grayish blue. In the background are a 
pillar, a sculptured frieze, a vase and flowers. 


Property of Mrs. Benzamin Tuaw. 


Eighteenth Century German School 


246—JUDITH WITH THE HEAD 
OF HOLOFERNES 


Canvas: Height, 381% inches; width, 311% inches 


THREE-QUARTER-LENGTH figure of a young woman of blond 
type, her hair falling on her right shoulder, in low-neck gown 
of the eighteenth century of dark blue. Her head is turned 
to the right and she carries, on a platter, the head of a man 
partly covered by a grayish-white scarf with lace-work ends. 
At the left, in the dark background, is a silver crescent, bisected. 


Property of Mrs. BENsamin Tuaw. 


Rosalba 


247—_SAINT CECILIA 
Canvas: Height, 38 inches; width, 261 inches 


AL THREE-QUARTER, life-size figure of a young woman, with 
blond hair, crown of roses and halo; gown of light blue, with 
ornament on right shoulder; holding up a sheet of music, as 
she sings. At the lower right, a cherub holding up a palm. 


Property of Mrs. Benzamin THaw. 


Giovanni Batista Tiepolo (Attributed to) 
Irauian: 1692?—1770 


248—A DORATION OF THE MAGI 


Canvas, oval: Height, 38 inches; width, 31 inches 


A. COMPOSITION of some ten or twelve figures with an architec- 
tural setting, scaffolding and, on the right, draperies. In the 
central portion the Mother, in lilac and blue, holds the nude 
Child on a stone pedestal with a flight of steps below. At the 
right, in back view, Balthazar, standing, and the other two 
chief personages kneeling. Back of this group is a helmeted 
horseman. 


Property of Mrs. Bensamin THaw. 


José de Ribera (Attributed to) 
SPANISH: 1588—1652 


249—_ST. JEROME 


Canvas: Height, 38 inches; width, 30 inches 


A. THREE-QUARTER, life-size figure of the Saint, portrayed with 
long white beard, the head turned to left, holding in his hands 
a human skull, which lacks the lower jaw. ‘The figure is clothed 
in a robe of brown and is relieved against a dark background. 
A large open book lies on a desk at the left. 


By order of an Executria. 


Salvator Rosa (Attributed to) 
Irarian (Neaporiran): 1615—1673 


250—MOUNTAIN GOATS AND LANDSCAPE 


Canvas: Height, 28 inches; length, 38 inches 


PERCHED on a rock, in the foreground, a white goat forms the 
center of a group in a landscape showing a valley with hills 
crowned with buildings, on the left. In the right foreground 
is a lad seated, with a goat and two sheep, while other goats 
are descending a slope at the left, and one is seen high up on 
a rock nibbling a vine that hangs from a cliff. In the distance, 
in silhouette against the blue mountains, is a figure on a donkey 
and overhead is a blue sky with cumulus clouds. 


Property of Mrs. Bensamin THaw. 


Early Spanish School 


251—_ST. JEROME 
Canvas: Height, 391% inches; width, 281% mches 


THREE-QUARTER, life-size seated figure of a venerable man, 
bald forehead and white hair and beard, in a monk’s robe of tan 
color and black; the head resting on the left hand and the right 
holding a large open book. At the upper left, the heads of two 
cherubs; at the lower right, a small brass bell and staff. 


Property of Mrs. Benzamin Tuaw. 


Early Italian School 
252A CAPTAIN 


Canvas: Height, 40 inches; width, 30 mches 


A. THREE-QUARTER-LENGTH, life-size figure of a dark-haired 
young man, with red cap adorned with jewel and plume; a loose 
coat of blue with leather cape, and voluminous red cloak; hold- 
ing a sword in his right hand. 


Property of Mrs. Benzamin THaw. 


Unknown Artist 


253—_THE CAPTURED FLAG 


Canvas: Height, 30 inches; length, 40 inches 


In center of the picture Washington, on a white horse, and 
other generals, mounted; at right a wounded American officer 
on a stretcher, with attendants; at left two American soldiers 
advancing, one carrying aloft a British flag. On the heights 
beyond, at right, a battery in action; on the left cavalry charg- 
ing with stars and stripes. 


Property of Mrs. Benzamin Tuaw. 


Leonardo da Vinci 


Irautan (Lomparp): 1452—1519 


254 ROMAN RUINS: THE TEMPLE OF JUPITER 
STATOR IN THE CAMPO V ACCINO 


Canvas: Height, 23 inches; length, 46 inches 


THE pillars, pediments, cornices and part of the walls of the 
temple, and stone pavement, occupy the foreground and form 
the motive of the composition. Beyond is a landscape view 
with water and islands and blue sky. 


By order of an Ezxecutria. 


Early English School 


255—PORTRAIT OF AN ARTIST 
Canvas: Height, 40 inches; width, 31 inches 


A VERY interesting three-quarter-length, life-size portrait in 
side view, with head to left, of a young man with powdered hair, 
lilac-gray coat, flowered waistcoat, lace Jabot and lace at wrists, 
holding a portfolio on his knee with a drawing on it. A crayon 
in brass holder is held poised in his right hand while he looks 
out from the picture at the model he is working from. 


A signature in red paint at the lower right, ““Adam Van Noort,” seems 
to have been put on the canvas by another hand than that of the 
painter of the picture. 


Property of Mrs. Benzamin Tuaw. 


Early Spanish School 


256—PERILS OF THE DEEP 


Canvas: Height, 30 inches; length, 41 mches 


A. GALLEON is here depicted with torn sails foundering on a 
rocky shore where, on a shelf of rock, are two monks holding 
up across and praying for the sailors about to sink. Perched 
on a high rock near the middle of the picture is one of the 
buildings of the monastery, with a watch tower, and other build- 
ings are seen beyond. A. turbulent sea and stormy sky form 
the setting for the tragedy. 


Property of Mrs. Benzamin TuHaw. 


Early Dutch School 


257—A FLEET OF VESSELS 
Canvas: Height, 32 inches; length, 41 inches 


THREE high-pooped, elaborately ornamented vessels with flags 
at stern and topmast, carrying gentlemen in uniform and ladies 
of the court, are getting under way in aharbor. Near at hand 
and beyond are other vessels, and in the distance the buildings 
and towers of a city. 


Property of Mrs. Bensamin THaw. 


Early Spanish School 


258—A LADY OF THE COURT 
Canvas: Height, 41 inches; width, 31 inches 


A. THREE-QUARTER, life-size picture of a lady, standing; her 
hair curled and powdered and dressed very high with combs, 
starched lace and veil; low-neck gown of black, white, yellow 
and red, with wide sleeves trimmed with lace; pearl necklace, 
hands extended downward at left and putting on a glove. Dark 
background. 


Property of Mrs. Benzamin Tuaw. 


Early English School 


259—PORTRAIT OF TWO CHILDREN 
Canvas: Height, 41 inches; width, 321% inches 


A CHILD, in white, seated in a chair on a red cushion; blue 
ribbon over shoulder; in right hand a bunch of cherries. At 
side of chair, standing, a boy with powdered hair, wearing long 
coat, reaching to heels, of dark blue velvet heavily trimmed 
with gold, holding a basket of cherries. 


Property of Mrs. Bensamin TuHaw. 


H. Klackmann 


260—BEATRICH AND DANTE 
Canvas: Height, 42 inches; width, 30 inches 


A COMPOSITION depicting Beatrice, in pale blue gown, the train 
held up by a page, followed by a stern-visaged man in dress of 
blue-green, descending a carpeted staircase from the portal of 
a palace. A greyhound precedes her and, leaning against a 
balustrade, on the right, is the young figure of Dante, his cloak 
wrapped around him but disclosing a part of his red tunic 
above, and his red hose and shoes below. At the left are two 
monks, one standing, the other kneeling in prayer. 


Signed at the lower right, and dated 1810. 


Property of Mrs. Bensamin TuHaw. 


Unknown Artist 


261—PORTRAIT OF A LADY 
Canvas: Height, 47 inches; width, 34 inches 


A. THREE-QUARTER, life-size seated portrait of a lady, with dark 
hair; pearl necklace and pendent ornament, low-neck dress of 
ivory satin heavily embroidered with gold pattern and trim- 
mings of red; lace at the top of corsage and double string of 
pearls around the shoulders, with pendent string reaching to 
waist. In the left hand, a small sheet of music; in the right, a 
fan. 


Property of Mrs. Bensamin THaw. 


Early Dutch School 


262—SIHGE OF A CASTLE 
Canvas: Height, 33 inches; length, 48 inches 


In the foreground of this composition are numerous figures 
of horsemen and foot soldiers. In the middle distance they 
number many score. All are engaged in the siege of a great 
castle, with high surrounding walls. On the left is a fortified 
camp. 


Property of Mrs. Benzamin TuHaw. 


Sebastiano Ricei 


268—_DECORATIVE COMPOSITION 
Canvas: Height, 46 inches; width, 35 inches 


A womMaN, in her prime, of luxuriant type, seated, costumed 
in draperies of blue and green held by gold chain with jewel at 
breast, head uplifted and turned to right while addressing a 
man whose right hand is lifted in a gesture of protest; in her 
left hand a letter, and a silver wine cup in the right. Two heads 
of men are seen behind the principal figure. In background, 
curtain and pillar; at left, an open arch, showing blue sky. 


Property of Mrs. Bensamin THAw. 


Jacques Blanchard 


FRENCH 


264—-SUS ANNA AND THE ELDERS 
Canvas: Height, 49 inches; width, 881 inches 


A. THREE-QUARTER, life-size, seated figure, nude except for 
white drapery across the thighs; the body in front view and 
the head turned to the left, showing in profile, and looking 
toward the two figures of the Elders, whose heads and shoul- 
ders are seen in the upper left portion of the composition. 
Susanna is depicted with long blond tresses falling over her 
right shoulder and held by her hand at her breast. 


By order of an Executria. 


Italian School 


265—-HOLY FAMILY 
Panel: Height, 49 inches; width, 39 inches 


TuE Mother and Joseph, life-size figures, are depicted seated 
side by side, the Mother, on the right, in red and blue, Joseph 
in red and brown. The Child, on the Mother’s lap, is receiving 
the staff and scroll from the infant St. John, who is on the right, 
and on whose back rests the left hand of the Mother. In the 
background, a wall and pillar, with a view of a town, hills and 
sky. 


Property of Mrs. Bensamin THaw. 


Early German School 


266—_SAINT WITH BOOK AND SWORD 
Panel: Height, 53 inches; width, 15 inches 


STANDING, full-length figure of a saint, one of the Disciples, 
with brown hair and long, curled brown beard; draperies of 
brown, red and green; holding a sword in the one hand and a 
book, bound in blue and clasped, in the other. 


Property of Mrs. Benzamin THAw. 


Early Italian School 


2967—_HOLY FAMILY 
Canvas: Height, 50 ches; width, 36 inches 


Tue Madonna is depicted as a full-length, life-size seated 
figure in pink and blue, holding the Child on her lap on a 
cushion striped with blue. On the right is Joseph, with an open 
book. At the left, at the Madonna’s knees, is the infant St. 
John, with staff and scroll. In background, a pillar at the left 
and a building seen without. 


Property of Mrs. Bensamin Tuaw. 


Early Italian School 


268—V ENUS 
Canvas: Height, 531% inches; width, 31 inches 


A. FULL-LENGTH figure, nude, about three-quarters life-size, in 
full face, standing in a shell; the left hand holding a small 
prickly globe and resting on the base of a fluted column; the 
right hand touching the head of Cupid, who stands beside her 
with his left hand placed on her thigh; doves on the floor at 
her feet. In background pillars in perspective and, at right, a 
bas-relief of Vulcan at his forge. 


Property of Mrs. Benzamin THaw. 


John Constable, R.A. (Attributed to) | 
Britisn: 1776—1837 


269—PORTRAIT OF THE ARTIST 
Canvas: Height, 50 inches; width, 40 inches 


A THREE-QUARTER, life-size figure of the artist, wearing a blue 
coat with brass buttons, collar and neckcloth of white, and green 
breeches, seated in an armchair upholstered in red and holding 
a book in his lap with his left hand. The figure is in side view 
to the left with the head turned to the right. 


By order of an Executriz. 


Early Italian School 


270—-ROMAN HISTORICAL PICTURE 
Canvas: Height, 52 inches; width, 871% inches 


A COMPOSITION with elaborate interior Roman architecture, 
including a pedestal, in the middle, with a bronze statue of a 
consul, and figures illustrating an historical incident. The 
central figures are a consul, advancing from the right to meet a 
woman approaching him, and behind each is a portrait of the 
other from which draperies that covered them have dropped. 
Soldiers, a sibyl and pages are among the other personages. 


Property of Mrs. Bensamin THaw. 


Rembrandt School 


271 THE REPAST 


Canvas: Height, 38 inches; length, 52 inches 


A Grour of two men, half-length, life-size, seated at a table 
covered with meats. On the right, one of the men, with black 
hat and loose jacket of red and black, is holding up a tall glass 
half full of wine. The other figure, more youthful, also wear- 
ing a large black hat, in black dress, holds a soup bowl in 
his hands. 


Property of Mrs. Bensamin THaw. 


Early Dutch School 


272—WATERFALL AND HARBOR 


Canvas: Height, 38 inches; length, 52 mches 


A. COMPOSITION in which the chief elements are tall trees and 
a waterfall, at the left, plunging down over rocks, near a castle. 
A great tree is in the foreground, near the center, with a boat 
and two warriors nearby; on the right are a tower and moun- 
tains. The midle portion of the canvas is occupied by the waters 
of a harbor in which lies a high-pooped vessel with reefed sails, 
and asky with warm-tinted white clouds appears beyond. 


Property of Mrs. Bensamin THaw. 


Eighteenth Century French School 


273—CLASSIC LANDSCAPE 
Canvas: Height, 39 inches; length, 53 inches | 


A viEw overlooking a valley with castles and keeps and a 
mountain range beyond. ‘Trees in foreground on right and 
left; three figures in open space in middle. Above is a sky of 
gray-blue with masses of clouds. ‘The work abounds in detail 
but is broad in effect and impressive in general aspect. 


Property of Mrs. Benzamin Tuaw. 


Early Spanish School 


274—PORTRAIT OF A QUEEN 
Canvas: H eight, 54 inches; width, 42 inches 


A NEARLY full-length, life-size picture of a lady with black hair; 
headdress and ruff ornamented with many pearls, costume of 
red and silver, with long cloak of the same; left hand at side, 
holding a fan; right hand resting on table where reposes a 
jeweled crown; string of large pearls falling to waist. 


Property of Mrs. Bensamin Tuaw. 


Nicolas Poussin 
Frencu: 1594—1655 


275—THEH FORGE OF VULCAN 


Canvas: Height, 48 inches; length, 661 inches 


VULCAN is seen at his forge, in the right center of the picture, 
his right arm raised as he is about to strike with his hammer 
a piece of red hot metal he holds on the anvil with a pair of 
pincers. Nearby, a woman, seated, and a Cupid are warming 
their hands at a brazier. On the left Mars and Venus, hand 
in hand, are seen walking away accompanied by a Cupid 
dancing along before them and others flying overhead. All 
the figures are depicted nude, except for conventional draperies. 
Venus, however, wears an orange-colored garment, girdled 
above the waist, and about her is a floating scarf of red. 


By order of an Executria. 


Diego Borgraf 


276—_ST. CATHERINE 
Canvas: Height, 66 inches; width, 46 mches 


FULL-LENGTH seated figure of a woman very richly dressed in 
blue tunic, over a gown of white and gold, jewels and pearls 
in hair, great Jeweled ornaments at neck and shoulders; the 
right hand resting on the hilt of her sword and the left ex- 
tended upward. Overhead are two flying cherubs bringing a 
crown of roses and a palm of victory. In the landscape back- 
ground, at the right, a vision is depicted showing prone nude 
figures of men and a kneeling figure of a woman in red and blue. 


Signed at the lower right, and dated 1656. 


Property of Mrs. Benzamin THAw. 


Carlo Maratti 


277—_ TITUS VESPASIANUS 
Canvas: Height, 78 inches; width, 58 inches 


AN equestrian figure in helmet, armor and cloak, with a lance 
at rest. The gray horse with black points is heavily caparisoned 
with head-piece and trappings of black and gold. Horse and 
rider face to the right and the background consists of an ex- 
panse of sky with low horizon. 


Inscription at bottom of canvas: ‘Titus Vespasianus, Aug. XI. 


From a palace in Rome. 


Property of Mrs. Benzamin THaw. 


Early Italian School 
278—_ALTARPIECE OF NINE PANELS 


Total height, 80 inches; width, 56 inches 
Height of central panel, 38 inches; width, 19 inches 


THis altarpiece comprises nine panels, in an ancient frame. In 
the central panel is a full-length figure of St. John the Baptist 
with draperies of red and brown bearing staff and agnus dei. 
In the eight surrounding panels various subjects from the 
Gospels are depicted, including the Baptism of Christ, the 
decapitation of the Saint and Preaching in the Wilderness. 


Property of Mrs. Benzamin THaw. 


Rubens School 


279 THE ARRIVAL OF BACCHUS 
Canvas: Height, 67 inches; length, 85 inches 


In the center of the picture the life-size figure of Bacchus 1s 
seen descending from his golden car, which is drawn by two 
leopards. He is preceded by two nymphs and attended by 
other nymphs, cupids and satyrs, with ewers and wine cups. 
The figures are partly draped, or nude, and are happily 
grouped by the artist, forming an animated ensemble. On the 
left,.in the background, is a view of the sea with a sailboat 
moored near the shore. 


Property of Mrs. Bensamin THaw. 


Rembrandt School 


280—QUEEN ESTHER BEFORE THE KING 


Canvas: Height, 70 inches; length, 90 inches 


THE composition includes some twelve figures, with Esther, 
robed in blue and gold, kneeling before the king who lays his 
scepter upon her crowned head. Behind the king, on his 
throne at the right, are attendant personages and two boys are 
in the foreground. The queen’s cloak of yellow-brown satin 
is being removed by two of her women, near whom, on the left, 
are two courtiers, one holding a book. In the background, 
through an archway, is a view without, and a canopy and cur- 
tain of dark red are seen in the shadows. ‘The general tone of 
the picture is rich and sombre. 


Property of Mrs. Benzamin THaw. 


AMERICAN ART ASSOCIATION, 


MANAGERS. 
THOMAS E. KIRBY, 


AUCTIONEER. 


LIST OF ARTISTS REPRESENTED 
AND THEIR WORKS 


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LIST OF ARTISTS REPRESENTED AND 
THEIR WORKS 


CATALOGUE 
NUMBER 
ALEXANDER, Francis 
Portrait of Young Woman 164 
ALLSTON, WasHInctTon 
Portrait of a Man 146 
ART, B. 
Still Life 62 
Arab with a Knife 69 
BAHIEU, J. 
Chickens in Springtime 215 
BECKWITH, James Carrori, N.A. 
Young Woman 169 
BEECHEY, Sm Wuusmw, &.A. 
The Stanley Children 181 
BERGHEM, Nicouas (Attributed to) 
Cattle and Landscape 1S 


BEYLE, Prerre Martie 
Une Partie de Dames 64 


BLAKELOCK, Ratru Apert, N.A. 


Landscape with Indians 4 
A Vase of Flowers 8 
Carnations and Zinnias 9 
Moonlight 97 
Landscape 109 
Landscape 119 


Landscape with Cascade 120 


BLANCHARD, JAcQuEs 
Susanna and the Elders 


BOGERT, Grorce H., A.N.A. 
Moonlight 
Near Fontainebleau 
Sunset at Venice 
The Crescent Moon 


BONHEUR, Rosa 
A Team of Oxen 


BONINGTON, RicuHarp PARKES 
On the Seashore 


BORGRAF, DrEeco 
St. Catherine 


BREYDEL, Kart 
The Battle 


BUNCE, WituiaAmM Gepney, N.A. 


Sunset 


BRITISH SCHOOL (Period of Lawrence) 


Portrait of a Young Squire 


BROWNE, Gerorce ELMER 
A Domestic Task 


CARRENO DE MIRANDA, Juan 
Christianity Vanquishing Paganism 


CHAMPNEY, J. Wettis, A.N.A. 


Marie Antoinette 


CHASE, WitiiAm Merritt, N.A. 


Still Life 


CATALOGUE 
NUMBER 


264 


83 
VEL 
172 
176 


126 


187 


276 


13 


107 


222 


82 


SD 


57 


81 


CHURCH, Frepericx Sruart, N.A. 
The Dance 


COELLO, Cxravupio 


Portrait of Dona Katarina de Braganca 


COIGNARD, Louvuts 
The Ox Team 


COLYER, Vincent, A.N.A. 
Wrangel Harbor 


COMAN, Cuaruorre Buety, A.N.A. 
Landscape 
Landscape 


CONSTABLE, Joun, R.A. (Attributed to) 
Portrait of the Artist 


COPLEY, Joun SINGLETON 
Portrait of a British Officer 


CORDERO, Jost VILLEGAS 
The Page 


CORREGGIO, Antonio ALLEGRI DA 
Head of a Boy 


COTMAN, JouHN SELL 
On the Thames 


COURBET, GustTAvE 
Stags Drinking 


CATALOGUE 
NUMBER 


114 


179 


37 


269 


140 


90 


188 


183 


128 


CRANE, Bruce, N.A. 
Golden Afternoon 
The Brandywine Valley 
In the Mohawk Valley 


CROME, Jonun (OLD CROME) 
Landscape in Norfolk 
Landscape with Ruined Church 


DAVIES, ARTHUR B. 
Pastoral 
Group of Four Children 
Visions of Glory 
Triptych 
The Sisters 
Girl with Thorn in Foot 


DEGAS, Hivatre GERMAIN EnpGaArR 
Collection of Twenty Lithographs 


DEL VEGAS 


Preparing for Crucifixion 


DEWEY, CHartes Metvitie, N.A. 


Sunset 


DEWING, THomas Witmer, N.A. 
A Lady 
Portrait of Margaret Anglin 


DICKINSON, Anson 


Portrait of a Woman 


DUNLAP, Wim, N.A. 


Portrait of Mrs. Thomas A. Cooper 


CATALOGUE 
NUMBER 


O38 
74 
79 


41 
136 


mS Ww 


17 
70 
100 
108 


92 


212 


101 


149 


144 


CATALOGUE 
NUMBER 


EARLY ENGLISH SCHOOL 


The Light from Heaven 66 
Girl with Posies in Her Hair 195 
Portrait of a Gentleman 245 
Portrait of an Artist 255 
Portrait of Two Children 259 


EARLY DUTCH SCHOOL 


Landscape 44. 
A Skirmish 204 
Portrait of a Gentleman 216 
A Village Gathering 219 
Portrait of a Lady in Court Dress 238 
A Fleet of Vessels 257 
Siege of a Castle 262 
Waterfall and Harbor 272 
EARLY FLEMISH SCHOOL 
Portrait of a Gentleman 33 
Adoration of the Magi 214 
St. Catherine Receiving the Betrothal Ring 225 
Madonna and Child with Attendants 242 
EARLY GERMAN SCHOOL 
Saint with Book and Sword 266 
EARLY ITALIAN SCHOOL 
Mother and Child 199 
Madonna and Child yale 
A Captain 252 
Holy Family 267 
Venus 268 
Roman Historical Picture 270 


Altarpiece of Nine Panels 278 


CATALOGUE 
NUMBER 


EARLY SPANISH SCHOOL 


Saint in Attitude of Prayer 31 
A Lady with Branch of Palm 65 
St. John 207 
St. Anthony and a Child 218 
Three Nude Children 234 
Mother and Child 235 
Madonna and Attendants 243 
St. Jerome 251 
Perils of the Deep 256 
A Lady of the Court 258 
Portrait of a Queen 274 


EIGHTEENTH CENTURY FRENCH SCHOOL 
A Lady with a Harp 68 
Classic Landscape 273 


EIGHTEENTH CENTURY GERMAN SCHOOL 
Judith with the Head of Holofernes 246 


FISHER, ALVAN : 
Landscape with Figures 167 


FORTUNY Y CARBO, Mariano Josk Maria 
Roman Model 208 


GAINSBOROUGH, Tuomas, R.A. 
The Carrier’s Cart 129 


GAY, Epwarp, N.A. 
The Fisherman’s Home, Eastchester Creek 28 


GREUZE, JEAN BapTistTE 
The Suppliant 38 


HAAS, M. F. H. pe 


Marine 


HALS, Frans 
Portrait of a Professor 


HASSAM, Cups, N.A. 
A Flower Garden 
The Woodchoppers 
A Winter Day 
Fifth Avenue at Fifty-sixth Street 
Maids in Mist 


HEALY, Grorcrt Perer ALEXANDER 
Two Young Sisters 


HENRI, Rosert, N.A. 
Coast of Monhegan, Maine 


HERZOG, H. 
The Woodland Brook 


HIGGINS, EUGENE 
Beside the Cradle 
The Chain Gang 


HOGARTH, Wituiam 
Colonel Charles Howard 


HONDECOETER (THE ELDER), G. 
The Oaks 


HORLACHER, E. 


Woman Trimming a Wand with Flowers 


IBBETSON, J. E. 
Masham Market in Yorkshire 


CATALOGUE 
NUMBER 


202 


125 


21 
48 
5A 
116 
1238 


162 


227 


134 


191 


IL GIORGIONE (Attributed to) 
The Promised Bride 


INGHAM, CuHaries CROMWELL 
Portrait of 1 C:cT Pickermg 


INMAN, Henry, N.A. 
Mother and Son 
Mother and Daughter 
Boy and Dog 


INNESS, Georce, N.A. 
Late Sunset 


ISABEY, Eucenrt Louis GABRIEL 
To the Rescue 


ITALIAN SCHOOL 
Holy Family 


JARVIS, JoHN WESLEY 
Portrait of Thomas A. Cooper 


JIMENEZ, Lovts 
Resting 


JONES, Huey Borton 


Summertime 


JOHNSON, Eastman, N.A. 
The Finishing Touch 
Portrait of William M. Evarts 


KEITH, Wit1iAM 
Forest Interior 
Sunset 


KLACKMANN, H. 
Beatrice and Dante 


CATALOGUE 
NUMBER 


226 


139 


94 


265 


147 


40 


260 


CATALOGUE 
NUMBER 


KNELLER, Sir Goprrrey 
Lady Catherine Wyndham : 178 


KNIGHT, Danie, Rincway aa 
In the Fields at Poissy } 112 


KOST, Freprrick W., N.A. 
Duck Shooting 26 


LANDSEER, Sir Enpwin, R.A. 
Odin 35 
Hafed 36 


LARGILLIERE, Nicoxas pr 
Princess Clémentine Sobieski (Mother of Prince 
Charles Stuart, the Pretender) AB 


LATHROP, Witiiam Lanecson, N.A. 
Landscape 18 


LAWRENCE, Sir THomas, P.R.A. 
Portrait of Miss M. Siddons 133 


LAWSON, Ernest, A.N.A. 
On the Heights 229 


LEBRUN, CHarLEs 
Mademoiselle de la Valliere 135 


LE BRUN, Exizasetu Louist Vick (Attributed to) 
Portrait of Charles Le Brun 190 


LELY, Sir PETER 
Princess Mary of Holland 42 
Child and Dog 67 


LELY, Sir Perer (Attributed to) 
Lady Anne Ashley 


LE PRINCE, Jean Baptiste 
Head of an Old Man 


LIE, Jonas, A.N.A. 
The Fog 


LINGELBACH, JoHANNEsS 
On an Italian Road 


MANIGAULT, MippLEeton 
The Sky Rocket 


MARATTI, Caro 
Claudius Caesar 
Titus Vespasianus 


MARTIN, Homer D., N.A. 
The Waterfall 


MAZO, Juan Bautista MARTINEZ DEL 
Portrait of a Spanish Lady 


McCHESNEY, Ciara TAGGART 
Still Life 


McCORD, Gerorce Herpert, A.N.A. 
Off the Coast of Holland 
Dutch Luggers 


METSU, Gasriret (Attributed to) 


Woman with a Pink 


MIGNARD, PIerre 
Portrait of a Lady 


CATALOGUE 
NUMBER 


209 


194 


84 


58 


Zit 


180 


AT 


11 
118 


186 


177 


MINOR, Roserr C., N.A. 


An Autumn Reverie 


MORET, Henry 


Rocks and Sea 


MORLAND, Gerorce 
The Wreckers 


MURPHY, Joun Francis, N.A. 
Autumn Afternon 


MYTENS, Dantex 
The Countess of Dorset 


MYTENS, JoHAanneEs 
Portrait of a Lady 


NEAGLE, Joun 


Portrait of Mrs. Samuel Blodget 


OCHTMAN, Leonarp, N.A. 
The Harvest Field 


OPLE, Joun 
A Village Maiden 


PEALE, CuHartes WILSON 
Portrait of a Man 
Portrait of a Man 


PEALE, erst N.A. 
Portrait of De Witt Clinton 
Portrait of an American Officer 


PINCHART, Emmitt AUGUSTE 
Chrysalis 


CATALOGUE 
NUMBER 


61 


96 


210 


76 


131 


141 
143 


145 
148 


63 


POST, WitiiaAM Merritt, A.N.A. 
The Lowland Meadows 


POUSSIN, Nicouas 
The Forge of Vulcan 


POUSSIN (Nicotas) SCHOOL 
The Apparition 


RAFFAELLI, JEAN FRANCOIS 
The Churchyard 


RAMSAY, ALLAN 
Portrait of a Lord Chief Justice 


RANGER, Henry Warp, N.A. 
Gathering Wood 
Morning on the River Oise 
Hayboats 
A Wet Day in Amsterdam 


RAPHAEL (PERIop oF) 
Madonna and Child 


RAPHAEL SCHOOL 
Madonna, Child and St. John 


REHN, Frank Knox Morton, N.A. 
The Gulf Stream 
Massachusetts Coast 


REID, Rosert, N.A. 
Head of a Young Woman 
Landscape 
Girl and Green Shutter 
A Winter Landscape 
Pond Lilies 


CATALOGUE 
NUMBER 


27 


221 


93 


87 


10 
111 
203 
211 


230 


240 


REMBRANDT SCHOOL 
Head of a Woman 
The Repast 
Queen Esther Before the King 


RENI, Guino (Attributed to) 
St. John 


REYNOLDS, Sir Josuva, P.R.A. 
Portrait of Dr. Samuel Arnold 
The Countess of Nottingham 


RIBERA, Jost pe (Attributed to) 


St. Jerome 


RICCI, SEBAstTIaANo 


Decorative Composition 


RICHET, L&ron 
Retour de Péche 


RLX, JULIAN 
The Meadow Brook 


ROBINSON, THEODORE 
An Ancient House: Winter 
The White Barn 
Farmhouse and Rick 
The Harvest 
New England Brook 


ROMANO, Grunio (Grunio Prerr DE GIANNUZZI) 


The Five Attributes 


ROMNEY, Georce (Attributed to) 
The Sisters 


ROSA, SALVATOR 
Jason 


ROSA, Sarvator (Attributed to) 


Mountain Goats and Landscape 


CATALOGUE 
NUMBER 


106 


213 


ROSALBA 
Saint Cecilia 


ROSSITER, Tuomas P., N.A. 
Washington at Mount Vernon 


RUBENS SCHOOL 
Group of Two Women and a Child 
The Arrival of Bacchus 


RUBENS-VAN DYCK SCHOOL 
Portraits of Van Dyck and Rubens 


RUSSELL, Joun 
_ Lady and Child 


RYDER, Apert PinxuHaMm, N.A. 
Smugegler’s Cove 
Hunter’s Rest 


SCHREY ER, Ano.r 
Arabs in the Desert 


SEIGNAC, GUILLAUME 


In a Dilemma 


SMILLIE, Grorcr Henry, N.A. 
Marblehead Neck, Massachusetts 


SMIRKE, Rospert 
Henry VIII and Anne Boleyn 


SMITH, Henry P. 
Giudecea Island, near the Grand Canal, Venice 


CATALOGUE 
NUMBER 


247 


163 


233 
at i! 


236 
130 


113 
115 


102 
12 
86 

237 


228 


SULLY, Tuomas 
Portrait of Miss Campbell 
Portrait of John Hogg 
Portrait of a Young Man 
Prayer 
Cinderella 


TACK, AvucGcustus VINCENT 
Eve Weeping 


TENIERS, Davin 
The Castle of Perck 
The Temptation of St. Anthony 


THOMPSON, JULIET 
Head of a Young Woman 


TIEPOLO, Giovanni Battista (Attributed to) 
Adoration of the Magi 


TITIAN SCHOOL 
Venetian Woman 
Madonna, Child and St. John 


TRUMBULL, Joun 
Portrait of a Man 


TURNER, JosepH Mattorp WitiiamM, R.A. 


View from Ehrenbreitstein 


TWACHTMAN, Joun H. 
Landscape 
The Deserted Wharf 
Autumn 
The Beach at Squam 
House on Rocks above Pool and Stream 
The White Bridge 


CATALOGUE 
NUMBER 


shel 
152 
153 
154 
ikeya: 


80 


103 


20 
49 
51 
73 
(pr 
78 


CATALOGUE 


NUMBER 

TWACHTMAN, Joun H.—Continued 

In the Garden 85 

Reflections 132 

The White Bridge 168 

Winter Landscape 174 

Landscape 175 
UNKNOWN ARTIST 

Portrait of General James Wolfe 138 

Portrait of a Baby 196 

The Captured Flag 253 

Portrait of a Lady 261 
VAN DE VELDE, AnpriaEn Bee 

Landscape and Cattle 16 
VAN GOYEN, JAN JosErPuHsz 

Dordrecht Fisherman 105 
VAN MIERIS, Frans 

Reviving a Lady Who Has Fainted 198 
VAN ORLEY, BrEernarp : 

Madonna and Child 32 
VAN RUYSDAEL, JAcos 

Landscape 197 
VELASQUEZ, Dirco Ropricurz DE SILVA Y 

Princess Marguerite 193. 


VELASQUEZ, Dirco Ropricurz DE SILVA Y 
(Attributed to) 
Head of a Man 189 
Prince Balthazar 241 


VERONESE, Paoto Cartarti 


Esther Before Ahasuerus 


VINCI, LEONARDO DA 


CATALOGUE 
NUMBER 


182 


Roman Ruins: The Temple of Jupiter Stator in 


the Campo Vaccino 


WALDO, Samuet L., A.N.A. 
Portrait of a Man 


WEST, Bensamin, P.R.A. 
The Return from the Promised Land 


254 


59 


The First Interview of 'Telemachus with Calypso 137 


WEST, Wittiam Epwarp 
Portrait of a Man 


WHISTLER, James Azssotr McNEILL 


An Inn in an English Village 


WILLIAMS, HeEnry 
Portrait of an Old Lady 


WILSON, RicHarp 


The Thames near Sion House 


WITHERINGTON, W. F., #.A. 
English Landscape 


WYANT, ALEXANDER HEDWIG 
Baby in a Bird’s Nest 


ZUCCHERO, FEpbERIGO 
Portrait of Robert Devereux, Earl of Essex 
Fernando Cortez 
Mary, Queen of Scots 


157 


223 


14 


99 


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